A Quote by Paul Giamatti
With 'Duplicity', I was a little bit like, 'This isn't that hard of a movie.' This isn't like some huge brain trust of a movie. You gotta be a little bit awake to follow the plot, but it's really just a kind of light entertainment. It's like those Cary Grant movies, which are not meant to be anything other than diverting. In a nice way.
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I just like to work with other people, and I like things that are kind of a little bit bigger than that. I don't know. I just feel like a solo record just kind of gives me the willies a little bit.
In a lot of ways being actor is like with any job, at first it's sort of like alien to you a little bit... a little foreign. And then as time goes on... when I was a kid I'd take a role... it's kind of funny too, because now I have the attitude also "All I am is just like making movies." When you're a kid it's like, "Oh my god, I'm making a movie! It's so much pressure!".
I go back to things all the time. It's really nice, too, like when I'm going through some kind of a writer's block, and I'm feeling uninspired, I go to some of my oldest songs from over the years and sift through them, and one thing that's very nice is to see how I've grown up a little bit. A little bit.
I did a little movie called 'Touch of Pink,' where I played a Cary Grant-type guy, which I thought was a lot of fun, and I thought I was moderately successful in my own interpretation of Cary Grant.
The people at the very top could fall by and grace you with their presence and give you a little largesse, and you'd be "Oh, I'm so beloved." In a way, it was kind of like flattery. The middle managers didn't quite have that cachet, but at the same time, they had to seem like they were of that caliber. So there's a little bit of loneliness at the heart of those with a little bit of power.
I'm not really a flashy guy anywhere else - I don't dress flashy or anything else - but I like to keep my cars nice, and I like to customize them. I can do things a little flashier and a little faster, and with a little bit more thought. This is kind of the release part of basketball.
I'm proud of 'The Hidden.' I feel like we took a B-movie and kind of turned it into an A-minus action movie. We kind of elevated the material a little bit. It's got a great car-chase scene at the very beginning. It has some terrific moments in it, some funny stuff. It's a great rental.
There are a lot of movies that take place internationally, like Kung Fu Panda portraying a little bit of China, and Ratatouille portraying a little about Paris, but it's hard to find a movie that portrays Rio or Brazil.
I really do like a really good science fiction movie and a really good horror movie. Those are the kinds of things I really like. But, I mean, I'm not into sort of like slasher movies. I like a really good science fiction movie, which is hard to do. They don't make many really good ones any more.
Directing a movie is a little bit like being back in student government and putting on the homecoming dance. You're like, 'You put up the streamers, and you hire the DJ, and you get the punch bowl.' Some people are just like, 'This dance sucks.' And you're like, 'No no, this dance is awesome!' You have to be really positive.
I loved 'Weekend,' and it meant a lot to me when I saw it in the movie theater. I think 'Looking' feels more like that movie than any of those other shows, with a little more comedy thrown in than 'Weekend.' But it's certainly got the vibe and look and feeling of that movie.
I feel like a lot of the female relationships I see on TV or in movies are in some way free of the kind of jealousy and anxiety and posturing that has been such a huge part of my female friendships, which I hope lessens a little bit with age.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
That was pretty cool [Life With Mikey]. Michael J. Fox at the time was huge. I was like, "Whoa, he's a real bona fide movie star!" I was a kid. It was a huge deal. That's kind of it. We shot it in Toronto, and a little bit in New York.
The paintings don't exist outside themselves. There's no lead photograph off the internet or anything like that. It all comes from my mind and it's a bit like a little movie each time - how do I get the props, the setting, the time of day, the light, the action.
It's hard for me to play seated theaters because people tend to sit down and get a little bit complacent, so it's less energy. It's just very dry and dead. People start to feel like they're watching a movie. The environment when they walk into it, it's not standing room only, smoking and drinking and rock 'n' roll. So it's a little bit dangerous to do that.
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