A Quote by Paul Gilbert
A rock band with vocals is what I always wanted to be a part of; in fact, it feels very natural for me.
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Kansas has always considered itself a "rock band" - some people might say "symphonic rock band," others might say a "classical rock band," but we've kind've prided ourselves on being a rock band. Kansas rocks.
I hadn't performed by myself in a while. It feels very natural to me, and I assume people come for the very same reasons as they do when I'm with the band: to be moved, for something to happen to them.
I certainly didn't want to be in a punk rock band, because I had already been in a punk rock band. I wanted to be in a band that could do anything - like Led Zeppelin.
Caitlin Cary and I were always talking about X when we talked about whiskeytown, before it became an actual band. We like the concept of there being no real front person in X, yet this kind of switch up of vocals and really their sheer power, and their ability to sort of bastardise punk rock and midwetsren rock and even country into their own sound.
The vocals are the very last thing I do. So, it's kinda the opposite: with country. it's singing and guitar first, but with rock, I worry about the riff and music, vocals last.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
I always wanted to be in a rock band, but I wanted to sing like a soul singer.
We've always imagined ourselves as a rock band. We've always been a rock band playing the wrong instruments.
Ian Gillan, Roger Glover and I wanted to be a hard rock band - we wanted to play rock and roll only.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
I think something like rock week, especially when there's a live band and it's very themed, it feels like it's not very genuine.
With 'Elect the Dead,' I learned how to make a rock record without a rock band and make the rock record I've always wanted to make.
I've always just wanted to sing in a rock band.
I did exactly what I wanted to do. It was always my intention to put a band together and be a band and not be about the solo pop guy. That was never me. All of the musicians that made me do what I wanted to do were bands. I didn't see it any other way.
I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.
In high school I was in a band called Goodfight, but it was more me running around on stage. It was very punk inspired. Then I started to get into indie-rock and older music and decided I wanted to write my own stuff. I quit the band. Around 16 or 17, I started recording myself at home on keyboard and piano.
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