A Quote by Paul Gilbert

That's the nice thing about being in Mr. Big, is I'm not only the guitar player. I'm the background singer, and so I get to do both of those things. Sometimes we even switch instruments and I get to be the drummer.
I have a piano and a guitar, and I tend to switch back and forth between those two instruments to help me get inspired.
I don't think I'm getting better, quote unquote, as a singer or guitar player. But I'm more comfortable in this particular space. I get better at being a bad singer, so to speak.
I was a guitar player in a band that had two keyboard players, sometimes two other guitarists, a bass player, and a drummer, four or five singers, and percussion. We did a two-and-a-half hour show where the music spanned from the early Sixties to the present. Whereas the David Lee Roth thing was like, Now. Very big and intense.
That's the thing that we said about the horn before: it's a focus issue. It's like a singer versus a drummer. If a drummer's playing a drum beat, and a singer starts singing, what do you think the audience is going to do?
I've always been a little bit in the background as a singer and even as an acoustic-guitar player, although I crank it up and rock with my Marshall stacks, too.
For me, I'm more of a songwriter than a guitar player or singer. And not having things to work on was really kind of nice.
In my own musical existence I don't feel that being a guitar player is like the best thing on earth to be. I would rather be a balanced musician. Playing in a group, I'm tending to think more about the music and less about the guitar. That's just me getting older. I'm not interested in being a virtuoso guitar player or anything like that.
It's funny, I guess when I was growing up, I didn't really think about being an instrumentalist, per se. I didn't think, well, I want to be a piano player, or, I want to be a guitar player, or even, I want to be a singer. I just wanted to be a musician.
My two favorite things about being a pro player are Sunday afternoons being able to excite many fans and the money because I get to treat my family and friends and myself to nice things.
Sometimes I highjack memories. Sometimes I switch them around. Sometimes they're just in the background, like some little bass note. Those things have carried me through, especially when I first started writing. They're still there, but more in the distance these days.
When I first set up my big band, I only had Gilson Lavis, the drummer from Squeeze, with me. He was the core element. Whenever a group hits the big time, they always get a new drummer because they really need that. You can make do with rubbish elsewhere.
I've always been the DJ or the bass player or the drummer, somebody in the background. I don't think anybody who knows me personally would say that I'm particularly shy or introverted, but I'm definitely not like Mr. Attention.
One interesting thing - I play bass and guitar and stuff like that. I know those instruments really well. But I don't know how to play clarinet or trombone or any of these other instruments. I don't actually know how to play ukulele even though I've played it a lot in the past. Because of the weird tuning it's not exactly like a guitar. That's one of the reasons I like that instrument - it makes for surprises. It's not so predictable as the bass or the guitar is for me.
You hear it in the great musicians, whether it's a drummer or a horn player or a guitar player - you hear them take those breaths. You can feel that there's something they're trying to tell you.
It's one of those things; you just get a very nice stroke from being included in the next thing.
I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
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