A Quote by Paul Gilbert

I've found that as I've learned to improvise melodically, it seems like I can come up with a bigger variety of stuff. I kind of selfishly enjoy it more, because I'm in the moment so much.
I often find the smaller, independent films are much more rewarding than the bigger stuff, but you do the bigger stuff because it's a business, and you've got to show your face a bit, get yourself around.
As pop songs, the early stuff like Electricity' and Enola Gay' were such inspirations to Gwen and I, especially melodically. They inspired us to try and do our own John Hughes prom-scene movie moment kind of songs.
I think I, like most people, enjoy a wide variety of music. Yeah, I like some country stuff - old country stuff. I might not enjoy Billy Ray Cyrus or anything. But, you know, Patsy Cline, Willie Nelson, early Johnny Cash - absolutely.
I've not gotten so much stuff because I improvise in an audition, but I always feel like, if that's the case, the reason is because it wouldn't have worked out anyway with us working together.
At a certain fork in the road of automatization, Europeans chose to have more time, and they work far less than we do and get much longer vacations. We chose to have more stuff, the stuff sold to us through those beckoning adjectives-bigger, better, faster: Jet Skis, extra cars, second homes, motor homes, towering slab TVs, if not the time to enjoy them or to enjoy less commodified pleasures.
See, the ‘small stuff’ is what makes up the larger picture of our lives. Many people are like you, young man. But their perspective is distorted. They ignore ‘small stuff,’ claiming to have an eye on the bigger picture, never understanding that the bigger picture is composed of nothing more than-are you ready?- ‘small stuff’.
For me, it's a bigger challenge, it's much harder to do and much more rewarding to do well, then just to think up stuff of your own, hit or miss, because you've got to see to it that you don't torpedo any of his punch lines.
The Greek language seems different than other languages. I'm not the only person to think this. Usually, I come up with some kind of dopey metaphor for why it's different. But it seems, somehow, more original, more like being in the morning of language.
I enjoy very traditional stuff, and I enjoy kind of outlandish stuff, and I just really like clothes. I always have.
I found myself doing so much public speaking, more and more and bigger and bigger.
You have the power to pause stuff and you have the power to go to the bathroom. You can do whatever you want in your own home. It's a much more relaxed thing. It's more like a book, it seems to me. That's kind of the way I watch movies.
He'd assumed that you went to school because you had to learn things, starting off with the easy stuff and moving on to the bigger issues, and once you'd learned them that was it, the way ahead opened up and thereafter life was simple and straightforward. What a joke. The older he got, the more complicated and obscure everything became.
I like to go on stage with a variety, with some stuff that's been around for a handful of years, some stuff from the last year, some stuff is from last week, and some stuff is brand spanking new. Those are the moments that excite me - when I'm coming up to a brand new bit. The more virgin the snow, the more fun it is to run on.
I have done a lot of animated stuff over a 30-year period, and you do have to go much bigger on that stuff in order for it to come across.
Lyrically, I could be so much sharper. Melodically, I could be so much stickier. Musically, I could have so much more texture. So I'm constantly doing that, trying to find new ways to mix things up.
I want variety. I certainly don't want any kind of hype if I can avoid it. I'm trying to play parts which are a little more out there, but I want variety, I suppose, because - like a lot of people - I'm easily bored.
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