A Quote by Paul Gilbert

When it comes to vibrato, a lot of people look at their hands when they do it. Which is pretty much of no use. Because vibrato is one of those things you have to hear. There are some guitar things where the visual is really useful, like seeing chord shapes or scale patterns. But vibrato isn't one of those things.
My vibrato was my weakness. With romantic pieces, I could be a lot more schmaltzy. My wider vibrato fit that.
These days, my main guitar amps have been Magnatone. They're beautiful. Magnatones have actual tremolo, which I recently learned about guitar amps. Often what guitar amps call vibrato is really just a volume Up and Down. But Magnatone has a true vibrato, which is pitch bending. And so, it's just a lush sound.
I play in tune like a cello player and use legitimate vibrato. There are no tricks; it's just all in the hands!
In my early days, I never used finger vibrato at all. I originally carved my reputation as one of the 'fast' guitar players.
His lessons were chock-full of analogies for a variety of musical situations. Those little things were my favorites. 'No . . . that's too much vibrato. It's like putting bright red lipstick on a beautiful woman.' I always thought it was funny that when you broke a musical rule-like accenting a weak beat-he would turn his head away from you sharply, almost as though he were in pain. It's like you just slapped him in the face by being unmusical.
If you've got a good vibrato, you can get away with a lot.
I can do the old hand vibrato just fine, but I like attacking the strings.
Vibrato is the badge of tonal maturity.
I think the fundamental part of my technique is my vibrato.
Well, first I'd want a better vibrato.
Control of vibrato helps your musical expression.
There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.
For me it's the instrument. If I want to think of a flute and the state of the arts I hear a vibrato; I don't know what a flute is unless the person plays it for me.
For me it's the instrument. If I want to think of a flute and the state of the arts I hear a vibrato; I don't know what a flute is unless the person plays it for me
I just enjoy the filmmaking side of things. I feel like when you're an actor, sometimes you're in other people's hands and they're in charge of your creative life. Whereas with my production company, I'm the one that gets to make those choices for how I'm gonna spend my time and what content I'm going to be creating. I definitely learn a lot, especially about acting, by producing and directing and seeing how it all comes together, and seeing the other side of things, appreciating what goes into pre- and post-production, and all those things you don't see when you're an actor.
The guitar is a funny instrument because you have bendable strings and distortion - there's a potential for noise. It is more exposing. Actually controlling the instrument, using proper vibrato, bending notes in tune, not fretting too hard, controlling the noise is a skill in itself that takes many years.
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