A Quote by Paul Gilbert

It is the universe where all rock players live- we all use distortion, overdrive, gain and saturation. I call it 'fuzz.' — © Paul Gilbert
It is the universe where all rock players live- we all use distortion, overdrive, gain and saturation. I call it 'fuzz.'
On 'Fuzz Universe,' I think I've taken a giant step closer to the ultimate rock guitar sound and playing of my dreams.
The Silvertop and the Goldtop both had subtlety where it was needed but lots of definition as well. I liked the different voicings of the distortion/fuzz elements.
We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good.
The very nature of limiting something from an infinite to moments in time creates distortion; analog recording methods create all kinds of distortion, they're just not digital distortion.
Many of us writers tour like a literary Bachman Turner Overdrive. We ain't pretty, but we're on the road. Many of us wish we were rock stars anyway. For my part, I live in my iPod. The musicians there are my constant companions on the road.
With just one polka dot, nothing can be achieved. In the universe, there is the sun, the moon, the earth, and hundreds of millions of stars. All of us live in the unfathomable mystery and infinitude of the universe. Pursuing philosophy of the universe through art under such circumstances has led me to what I call stereotypical repetition.
With just one polka dot, nothing can be achieved. In the universe, there is the sun, the moon, the earth, and hundreds of millions of stars. All of us live in the unfathomable mystery and infinitude of the universe. Pursuing 'philosophy of the universe' through art under such circumstances has led me to what I call 'stereotypical repetition.'
When you get a bit older, you gain more experience, and you try to put it to good use, to help yourself in different ways and also the young players.
The inner essence of worship is cherishing Christ as gain - indeed as more gain than all that life can offer - family, career, retirement, fame, food, friends. The essence of worship is experiencing Christ as gain. Or to use words that we love to use around here: it is savoring Christ, treasuring Christ, being satisfied with Christ.
Now they have banging guitar and no bass and call it rock, but that's not what I call rock.
Or like in the early 70's when we had the reaction against acid rock and all the fuzz tone, and feedback, and the noise. And you had James Taylor and everyone went acoustic and that.
I have absolutely no interest in rock and roll. I'm just being David Bowie. Mick Jagger is rock and roll. I mean, I go out and my music is roughly the format of rock and roll, I use the chord changes of rock and roll, but I don't feel I'm a rock and roll artist. I'd be a terrible rock artist, absolutely ghastly.
People may call what happens at midlife 'a crisis,' but it's not. It's an unraveling - a time when you feel a desperate pull to live the life you want to live, not the one you're 'supposed' to live. The unraveling is a time when you are challenged by the universe to let go of who you think you are supposed to be and to embrace who you are.
It's my real name. My mother's name is Rose Rock. It was the worst name as a kid to have. They called me Piece of the Rock, Plymouth Rock, Joe Rockid, and Flintstones. Now they call me Mister Rock.
When I think of a lot of the players I admire, they could always play their parts without hiding behind distortion and sustain.
I hate the sound of my own voice. It's just up there, sort of naked and exposed. Live is hard, because on my records, I play almost everything on a lot of stuff. In a live situation, I can't control everything. I use two different microphones. One is just clean, traditional sound, and the other one is basically a cheap cassette-recorder microphone that goes through a distortion box to emulate my voice on the record. That helps some.
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