A Quote by Paul Gilbert
When I sing, there is an almost constant struggle with pitch and with reaching notes in the higher register.
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I sing in a higher register, and you haven't heard that on the radio in years.
People naturally tend toward inertia. That's why self improvement is such a struggle. But that's also why adversity lies at the heart of every success. The process of achievement comes through repeated failures and the constant struggle to climb to a higher level.
somebody/ anybody sing a black girl's song bring her out to know herself to know you but sing her rhythms carin/ struggle/ hard times sing her song of life she's been dead so long closed in silence so long she doesn't know the sound of her own voice her infinite beauty she's half-notes scattered without rhythm/ no tune sing her sighs sing the song of her possibilities sing a righteous gospel let her be born let her be born & handled warmly.
The process of achievement comes through repeated failures and the constant struggle to climb to a higher level.
If workers struggle for higher wages, this is hailed as "social gains", if businessmen struggle for higher profits, this is damned as "selfish greed".
I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes. . . . I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page.
The number of strokes to the inch controls the pitch of the note: the more, the higher the pitch; the fewer, the lower the pitch, the size of the stroke controls the loudness... the tone quality is the most difficult element to control, it is made by the shape of the strokes.
When I read, I take notes and underline things. So reading is a vigorous process for me, but I read in bed. My poor husband is trying to go to sleep, and I'm reaching over him to get the Post-it notes.
I don't really sing... I just hear notes so I know what it's supposed to sound like, if that makes sense. You ever hear someone try to teach a choir how to sing, but they can't sing? That's me.
I had a hole in my voice. I still do. We call it a hole, but it's an area in the voice where it's air. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in the middle area, it was really hard.
My role is almost a sight-gag. I have to be a woman to sing the lyrics "I am a man" to have it be a joke. I start the lyric in a male-register and a whole coloratura up into a soprano. And other points in the show... like the guy who likes to be treated like a baby and wear a diaper!
The ballet embodies the notes of music. And sometimes you almost feel like you can see the notes dance up there on the stage.
The musicians recommend that I sing a sing the way it is written the first time and then start to look for other notes that aren't in the melody.
Clashes of values and the struggle for primacy constitute a constant in human history that accounts for that other constant - conflict and war.
So it's a constant struggle, it's a constant balance, it's a constant search to find the balance between being responsible, carrying on with this as a livelihood and making ends meet, but at the same time, respecting your loved ones and being able to stay in touch and be there for them, at least emotionally since you're not there physically.
I remember Pavarotti telling me, 'Oh, Neil, after seventy, the voice is going to go.' But I've been lucky. You almost have to learn how to sing all over again. You use your diaphragm more. You have to choose the notes and pace yourself.
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