A Quote by Paul Gilbert
I especially like the songs Hurry Up and The Curse Of Castle Dragon, and I often include them in my live show.
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I suppose in some ways doing some of the songs in the show felt a bit like I was doing cover versions. I was covering myself. Not that they didn't feel like my songs, but the way I was approaching them was from a place so outside where they were written. The fact that these songs were in the context of a live show was a new thing.
When you write a show, you just never know if it will have a future or if the show will end up ever having a production, but, that doesn't mean that the songs - the best of the best songs - can't be pulled out and put on a CD. And, if the shows that they come from end up happening, then people will regard this as like a quirky little concept recording. And, if the shows don't end up happening, at least the songs will live on in some capacity.
I wouldn't like to live in a castle now, but I'd enjoy a visit to Restormel in Cornwall in its 13th century prime. It's a circular castle with the rooms built against the outer walls and quite intimate in size. Life there wouldn't follow the pattern of more classic castle design.
We're often in a hurry to finish. Or in a hurry to close a sale. What happens when we adopt the posture of being in a hurry to be generous? With resources or insight or access or kindness... It's an interesting sort of impatience.
I see songs not as a commodity used up when the album goes off the charts, which is often the case with pop songs. I see them as a body of work. Life should be breathed into them.
We don't test out the songs live, and we don't play them for weeks on end in the studio. We have, like, one day to get two songs down. So what happens is, everybody's attention and energy gets ratcheted up. But it's good because it helps us focus.
Ordinary Bibles often include cross-references and brief concordances; Study Bibles include much more, all bound up in one fat volume, so that readers can find a lot of useful explanation on each page without having to hunt through Bible dictionaries and commentaries and the like.
I do pay performance royalties on others' songs I perform live, but I'm not recording these songs and putting them up for sale.
It'll be basically a live album, but it will also include songs, Judas Priest songs, the audience have never heard before, because we felt we wanted to give the kids something else, something they haven't already bought.
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace.
I ran to Rachel [Comey]'s show and on the way I found a potted tree - an umbrella tree - on the street. I always think things are going to be way more intimate than they are and there aren't going to be a lot of people around. I don't know why I think this. I'm always shocked at what a hoopla things are. They were like, 'Hurry up.' So I put the tree down and I see Rachel and she's like, 'Hurry up, sit down.'
I need all kinds of songs - fast ones, slow ones, minor key, ballads, rumbas - and they all get juggled around during a live show. I've been trying for years to come up with songs that have the feeling of a Shakespearean drama, so I'm always starting with that.
I sing songs from the theater and pop songs. When I say 'pop songs,' I mean from the 90's. And I tell jokes. So it's sort of a stand up show meets a concert - not your traditional lounging across a piano cabaret show. It's much looser.
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
We are now going to the Lamanites, to whom we intend to be messengers of instruction... We will show them that in consequence of their transgressions a curse has been inflicted upon them - in the darkness of their skins. We will have intermarriages with them, they marrying our young women, and we taking their young squaws to wife. By these means it is the will of the Lord that the curse of their color shall be removed and they restored to their pristine beauty.
I have a huge family name to live up to and a huge legacy to live up to. I feel the pressure of that every day of my life, but I feel like it's a blessing and a curse.
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