A Quote by Paul Gilbert

Normally, I can get through a whole show with one guitar pick. — © Paul Gilbert
Normally, I can get through a whole show with one guitar pick.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
Anytime you go to see a band with a guitar player, there's always a fear of guitar overkill! That's a funny question. If you went to a Taylor Swift concert or a Jay-Z show, people would think, 'Oh, my God, I hope I don't get guitar overkill.' People come to our show for guitar, and there can never be enough.
This guitar is such a pal. It's a psychiatrist. It's a doggone bartender. It's a housewife. This guy is everything. Whenever I find that I've got a problem, I'll go pick my guitar up and play. It's the greatest pal in the whole world.
My first guitar was like a campfire guitar. And it was left at a house that my family had moved into... and the guitar was at the house. It was all strung up. It's normally something that would be beyond a bit of rubbish.
I'll only pick up my guitar if something is knocking on the door. Once the melodies have sort of been bothering me for a time, then I pick up my guitar and try to find them. But only if they want to be found.
My guitar is like my best friend. My guitar can get me through anything. If I can sit down and write an amazing song with my guitar about what's going on in life, then that's the greatest therapy for me.
Well, it grow together. It's like, first time I try to write a song is the first time I try to play the guitar. And so I can write a song without the guitar. But it really grow together. I really like stay with my guitar. But it just happen, is the inspiration come through man. Because, I personally, it look like, could I write a whole heap a tune, it look like. But I pick special tune to write. Cause a man can think of plenty things. Yuh know wah ah mean.
I love instrumental guitar records, but I also understand that, as a listener, it can be difficult to get through a whole album of just that one thing.
That's the way I've always been, between the albums: For two- or three-year gaps I wouldn't pick up a guitar. And when I don't pick up a guitar for a year or two, that's when the songs fall out.
I really wasn't into sports at an early age. I couldn't wait to get home from school and go straight to my bedroom and pick up the guitar and play it. It became an obsession with me. That's all I wanted to do was play guitar and learn every lick I heard on the radio.
I honestly believe that you have to be able to play the guitar hard if you want to be able to get the whole spectrum of tones out of it. Since I normally play so hard, when I start picking a bit softer my tone changes completely, and that's really useful sometimes for creating a more laid-back feel.
In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.
In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.
Genealogy of ideas. You don’t get to pick your family, but you can pick your teachers and you can pick your friends and you can pick the music you listen to and you can pick the books you read and you can pick the movies you see.
There is no reason why a guitar player makes the guitar-playing faces. It doesn't help you play guitar. You've not improved your skills. It's because you're up onstage, and the natural inclination is to put on a show. The rock guy faces are just as much of a front or a show as us wearing crazy makeup. It's just a different scale.
Sitting around home I mostly play acoustic. I've got seven or eight guitars of various sorts, including a baritone. Sometimes at home, because a guitar is just lying around, that's the guitar I pick up rather than actually choosing something. I try to plan ahead for my laziness by leaving interesting things scattered about. If I leave a baritone guitar lying around, that's the one I'll pick up, and I'll start writing baritoney things.
This site uses cookies to ensure you get the best experience. More info...
Got it!