A Quote by Paul Gosar

You develop a thick skin. And once all the chips have been played, you make sure you're working on behalf of Arizona. — © Paul Gosar
You develop a thick skin. And once all the chips have been played, you make sure you're working on behalf of Arizona.
I've been in a lot of tough businesses: First Lady of San Fransciso, working as model, actress, TV host. You better have thick skin, for sure, but you also need to laugh at yourself. I make fun of myself all the time.
We've had to develop a super-thick skin. We've been beaten up more than any band in history.
You have to develop a very thick skin.
Develop a skin as thick as a rhinoceros hide!
A woman with opinions had better develop a thick skin and a loud voice.
In this business you have to develop a thick skin, but I'm always going to feel everything. It's my nature.
When you work in TV you have to develop a thick skin, and I have certainly grown used to criticism.
I've been working to make sure that we've got adequate transportation. I've been working to make sure that we can afford energy within our villages and in our communities.
As an actor, you have to get used to being told no, develop a thick skin, and just keep persevering.
Having a thick skin doesn't mean that you're hard or harsh. I was lucky because I was born with a thick skin. That doesn't mean that things don't bother me, but you have to keep it in perspective.
If your friend is critical [of your work], you have to have a very thick skin and a thick skin is something that only builds up after it's callused for awhile.
I make sure that, every morning, my skin is really well moisturised. I use my sunscreen; I make sure I wash my face at least once during the day. I try not to overdo it, just so if there's any dust on my face, it doesn't settle into my pores.
I have pretty thick skin, and I think if you're going to be in this business, if you're going to be an actor or a writer, you better have a thick skin.
In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.
When you live in the Philippines or a country like that, you develop something of a very thick skin because you're confronted every day with all of the problems all around you.
Dealing with negative comments is part of this job, and I've had to develop a thick skin, though some days it's easier than others.
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