A Quote by Paul Guilfoyle

I sometimes improvise, and that's what I call 'massaging the character.' — © Paul Guilfoyle
I sometimes improvise, and that's what I call 'massaging the character.'
Sometimes we had to improvise. I hate to improvise because I felt like I couldn't find words.
Confident people, who understand comedy, improvise so much better than people who are scared. You can't be scared to improvise. You have to know your character, and then you have to let go.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings certain freshness and a reality to it, as long as it doesn't go too far out of the box.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings a certain freshness and a reality to it, as long as it doesn't go too far out of the box.
The first feature film I did, when I did 'Night Shift,' I improvised quite a bit because I would improvise at the audition, so sometimes I would return to the original lines, and then when I was on set, I would improvise even more.
Those are the rules. To improvise in a movie with other people, when they're following a script, everybody has to know what's going on. I think a line or two we might change. Certainly, I do. But I wouldn't call it improvising. I'd call it fudging the lines.
You can actually improvise a lot as a voice actor. It's not that entirely different than shooting a live action movie; the characters mouths are quite easy to manipulate once all the information is built into the computer. So you can improvise a lot and it doesn't matter really how far along they are in the process they can really just make the character say something different.
Sometimes I think too much, or sometimes I don't think enough as the character. Sometimes you just miss a moment, or sometimes you hear something that a character's saying that you haven't heard before and you react differently.
I would love to do more acting; I really would love to do it, particularly character acting. I'm a character type of actor; I love situations where I've got a bit of room to improvise on the character.
I never improvise. I create the character and transform into it.
I always improvise with the crowd. Sometimes it will be a 50 percent show, sometimes 70 percent, sometimes it's almost a whole show where I wing it. It depends on my mood, the energy in the room. For sure, a portion of it is just kind of winging it.
I came from stage in high school, and on stage you kind of overdo with putting on a character a little bit. Sometimes you become a character and sometimes the character becomes you.
Acting is constricted because you have the lines. But I improvise with it and what I learn on the set. I improvise rhythms and just changes.
There's nothing wrong with an actor that can't improvise, but if you're going to improvise, you gotta make sure you got people that can play the game.
I have great faith in the actors. When they improvise, it always sounds better than the stuff I write in my bedroom. When they improvise, they make it sound alive.
Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.
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