A Quote by Paul Guilfoyle

Strive to be authentic all the time. That's sort of my philosophy on life, which applies to acting. — © Paul Guilfoyle
Strive to be authentic all the time. That's sort of my philosophy on life, which applies to acting.
And as I stumbled onto Eastern philosophy and Buddhism, it was the first time I had ever read any sort of philosophy that really made a tremendous amount of sense. What I liked that was missing from my experience of Christianity growing up was a sort of acceptance, a sort of being OK with being imperfect and not focusing on the sin.
I can't live my life under the sort of "I cannot fail" philosophy, because then every time I do fail, which feels more inevitable than me being perfect all the time, it's going to be soul crushing. And more importantly, I'll never take any risks.
Philosophy - reduced, as we have seen, to philosophical discourse - develops from this point on in a different atmosphere and environment from that of ancient philosophy. In modern university philosophy, philosophy is obviously no longer a way of life, or a form of life - unless it be the form of life of a professor of philosophy.
In vain do science and philosophy pose as the arbiters of the human mind, of which they are in fact only the servants. Religion has provided a conception of life, and science travels in the beaten path. Religion reveals the meaning of life, and science only applies this meaning to the course of circumstances.
We must strive to encourage East and West not only to move towards each other but also to encourage them to find a new philosophy, a philosophy which will serve as a tool determining the future of Planet Earth - our common and only shelter.
Human beings find change very difficult. They find change is something that can be quite an awkward thing to adjust to. It applies to music. It applies to life. It applies to everything.
One can delineate the domain of philosophy however one likes, but in its search for truth, philosophy is always concerned with human existence. Authentic philosophizing refuses to remain at the stage of knowledge […]. Care for human existence and its truth makes philosophy a 'practical science' in the deepest sense, and it also leads philosophy—and this is the crucial point—into the concrete distress of human existence.
I came into acting with that sort of dull, meet-with-triumph-and-disaster-the-same philosophy and it's been the right one for me.
What is a good definition? For the philosopher or the scientist, it is a definition which applies to all the objects to be defined, and applies only to them; it is that which satisfies the rules of logic. But in education it is not that; it is one that can be understood by the pupils.
Modern acting is method acting, most of it. And there are sort of different schools, so I guess I'm not really from one school or another. I had a number of different teachers but they were all kind of drawing from the same pool, which is - What do you want? What are you doing to get what you want? And, what is in the way? These are basic acting questions. Knowing the answers to those questions. So you're talking about objectives and actions and obstacles. That's a sort of shorthand that gives you a language.
Philosophy's position with regard to science, which at one time could be designated with the name "theory of knowledge," has been undermined by the movement of philosophical thought itself. Philosophy was dislodged from this position by philosophy.
Acting is just part of my life. It is not my life. Whatever time I invest in acting I give my 100 per cent. But there are other things which are also important and I like to give equal attention to them.
Consider the concepts referred to in the words 'where', 'when', 'why', 'being', to the elucidation of which innumerable volumes of philosophy have been devoted. We fare no better in our speculations than a fish which should strive to become clear as to what is water.
Strive to be authentic, not perfect.
Evolution, of course, is not something that simply applies to life here on earth; it applies to the whole universe.
I find you can lose yourself in an acting sense in a fight far more easily than you can in a dialogue scene, and I love that about it. We try as actors all the time: we strive just to completely sort of lose ourselves in the moment, and we never quite get there, but in a fight, you can do it in seconds; that is what I love about it.
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