A Quote by Paul Hawken

What we already know frames what we see, and what we see frames what we understand. — © Paul Hawken
What we already know frames what we see, and what we see frames what we understand.
You're shooting the quarterback, and he drops back to pass the ball, and you see the ball leave his hand at 10 frames per second. At 7 frames per second, the ball's already gone.
Be it 120 frames or 24 frames or film or theatre, you're trying to be a fully formed human being and trying to be honest.
I used to collect frames. I've been collecting accessories since I was 11-years-old, creeping around flea markets and sales and everything. Whenever I saw unusual eyeglass frames, I bought them.
I couldn't tell if any frames were removed. Seen as a whole it shows that I have seen. Seeing you have 18 frames a second you can take out one or two and I couldn't tell.
48 frames per second is something you have to get used to. I've got absolute belief and faith in 48 frames... it's something that could have ramifications for the entire industry. 'The Hobbit' really is the test of that.
View life as a series of movie frames, the ending and meaning may not be apparent until the very end of the movie, and yet, each of the hundreds of individual frames has meaning within the context of the whole movie.
We need to get away from labels. That's the way people talk in Washington, D.C. - through labels, through ideological frames, through partisan frames.
None of us see the world as it is but as we are, as our frames of reference, or maps, define the territory.
Jean-Luc Godard said that cinema is the truth 24 frames a second. I think cinema is lies 24 frames a second.
It's the frames which make some things important and some things forgotten. It's all only frames from which the content rises.
If I walk into the editing room, it's six hours lost. I'm massaging frames. I'm, like, 'Oh, take six frames off that shot. Hit the music cue right there.' I will drive everybody crazy if left to my own devices in that room. So I try to do everything I can by staying out of the way.
Can't even see without my vintage Versace frames. I don't go nowhere without them on. I can't even live without them. Every time I throw them on, I see all the haters, and I see where the money at.
A scene gets cut a few frames here and there, but there's a cumulative effect to it, and then the music needs to be reworked. It's demanding, but when you see the improved cuts, it's always better.
Death frames the high wire. But I don’t see myself as taking risks. I do all of the preparations that a non-death seeker would do.
Death frames the high wire. But I don't see myself as taking risks. I do all of the preparations that a non-death seeker would do.
There are players out there who want to dominate and keep their opponent sitting down. They want to make centuries and win frames at a single visit, and I like to see that.
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