A Quote by Paul Hawken

People are naming it the Third Wave, the Information Age, etc. but I would say those are basically technological descriptions, and this next shift is not about technology - although obviously it will be influenced and in some cases expressed by technologies.
I'm not a big believer in revolutions. What people call revolutions in technology were more of a shift in perception - from big machines to PC's (the technology just evolved, fairly slowly at that), and from PC's to the internet. The next "revolution" is going to be the same thing - not about the technology itself being revolutionary, but a shift in how you look at it and how you use it.
I am worried about development in the field of information technology, communication, etc. So you cannot say that I have become inactive.
If you're up on a stage, naked and solo and singing songs to people, there's not much place to hide, so you may as well confess what you want to confess and say what you want to say, whatever that is. Some songs just turn out as being more about me, and some are more through the eyes of other people, or third-person descriptions of people.
One of the things I noticed about the Trump supporters was a lot of projected fear. I can't tell you how many times a conversation went like this: "We've got to stop these immigrants, because it's terrible." I'd say, "Okay, what personally have you observed about this?" And there would be basically nothing in that box. And I'd say, "Where'd you get your information?" thinking they were going to say Fox. But they would always say, "Well, I get my information from all kinds of sources." Fox is kind of center-left to a lot of people now.
I think that the Information Age is great, but there's a downside to it obviously as well, and it's that false information can be perpetuated so quickly. And it's sad that so many people will believe it.
I'm certainly very influenced by what you would call 'contemporary headline horror,' stuff that is true crime or for one reason or another catches our attention in the media, those strange cases that we end up obsessing about. I'm always influenced by weird anecdotes and news.
I started my career as a journalist, writing about science and technology for 'Business Week' magazine. Then I decided to make a career shift. I went to graduate school in computer science, and I began developing educational technologies - in particular, technologies to engage children in creative learning experiences.
The biotechnology wave is similar to the information technology wave of the 1980s and 1990s.
You can't just stop technological progress. Even if one country stops researching artificial intelligence, some other countries will continue to do it. The real question is what to do with the technology. You can use exactly the same technology for very different social and political purposes. So I think people shouldn't be focused on the question of how to stop technological progress because this is impossible. Instead the question should be what kind of usage to make of the new technology. And here we still have quite a lot of power to influence the direction it's taking.
Technology is not a panacea. I refuse to work on technology to track users, analyze usage patterns, watermark information, censor, detect drug use, or eavesdrop. I am not naive enough to think any of those technologies could enable a 'compromise'.
What’s next for technology and design? A lot less thinking about technology for technology’s sake, and a lot more thinking about design. Art humanizes technology and makes it understandable. Design is needed to make sense of information overload. It is why art and design will rise in importance during this century as we try to make sense of all the possibilities that digital technology now affords.
Technology tends to fuel the imagination. People with a technological bent can get excited by sometimes the most hazardous technologies, if they think they can harness them safely.
The thing about information is that information is more valuable when people know it. There's an exception for business information and super timely information, but in all other cases, ideas that spread win.
One of the things that's exciting for me about this novel is that, to me, Brookland and The Testament of Yves Gundron were both, in certain regards, crypto-steampunk. They're both books that are interested in an alternate technological past that in fact didn't historically come to pass. If you were to ask me what my novels were about, I would say, well, these are novels about technology and how we relate to technology and what technology means.
We're so enamored of technological advancements that we fail to think about how to best apply those technologies to what we're trying to achieve. This can mask some very important continuities in the nature of war and their implications for our responsibilities as officers.
I'm certainly very influenced by what you would call "contemporary headline horror," stuff that is true crime or for one reason or another catches our attention in the media, those strange cases that we end up obsessing about. I'm always influenced by weird anecdotes and news. And, you know, lastly, probably things that have happened to me in my own life.
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