A Quote by Paul Heyman

I think that Dean Ambrose is driven to create a first-time-ever, unique character that other people in the future can be compared to. — © Paul Heyman
I think that Dean Ambrose is driven to create a first-time-ever, unique character that other people in the future can be compared to.
I like to think I'm a good mechanic for the company. 'Oh well, we sprung a leak? Call Ambrose; throw him in there.' I like that because I think it has really upped my value with the company, and I think that they realize nowadays, too, another Dean Ambrose isn't going to walk through the door anytime soon - or ever.
There is no creative process to come up with a character of Dean Ambrose.
No one "discovers" the future. The future is not a discovery. The future is not a destiny. The future is a decision, an intervention. Do nothing and we drift fatalistically into a future not driven by technology alone, but by other people's need, greed, and creed. The future is not some dim and distant region out there in time. The future is a reality that is coming to pass with each passing day, with each passing decision.
Cockroaches can't survive me, and neither can Dean Ambrose.
I do not see Dean Ambrose leaving WWE to go somewhere else.
Dean Ambrose is somebody that I broke in with - The Shield - and we had a falling out, and things didn't go very well for us for awhile.
Business people do two things with their time fundamentally. The first is that they try to create sales, right? Revenue, key to business. But the other thing they devote their time to equally is cost containment. That is to say, how to not create jobs. Because the fewer jobs you can create for the revenue you create, the more profit you make.
I think the only thing that we know how to do is look at our characters and ask what is the character doing right now and what do we need to do, and tell it from that place. If we really make it character driven and theme driven, I think we're going to offer up something new for the audience.
I like those really multidimensional characters like Dean Ambrose and Bray Wyatt.
I always view auditions as the first and last time I'll ever do a character, so that's how I like to see the joy in it. Assuming I don't ever book this, I get to play this character this one time and give it my all because I'll never play it again.
I think a writer's first job is to entertain, even in novels: to tell a compelling story that pulls the reader along toward an end. At the same time, the best stories are character-driven.
Why is she convinced Ambrose is out to get her" Leif asked "Ambrose?" Yelena raised a slender eyebrow. She carried a tray of tea and fruit. "You're on a first name basis with the Commander now?" "I usually call him Amby, but not in mixed company.
It wasn't the first time. This happened to Dennis Kucinich. It happened to Jesse Jackson. They did it even to Howard Dean, creating the Dean scream. This is how they [democrats] work.
The first time I met James Franco, he was dressed like James Dean. He was James Dean, literally, filming a biopic.
The media has been nice to me so far, but if I get compared to Channing one more time... I'm taking it as a compliment, but it is crazy how many times people have compared me to him. I don't know if 'Magic Mike' is in my future, but we'll see.
The media has been nice to me so far, but if I get compared to Channing one more time I'm taking it as a compliment, but it is crazy how many times people have compared me to him. I don't know if 'Magic Mike' is in my future, but we'll see.
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