A Quote by Paul Johnson

The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them. — © Paul Johnson
The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them.
The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them. A young writer must cross many psychological barriers to acquire confidence in his capacity to produce good work-especially his first full-length book-and he cannot do this by staring at a piece of blank paper, searching for the perfect sentence.
I would say if a man is going to write on chemistry, he learns chemistry. The same is true of Christianity. But to speak of the craft itself, I would not know how to advise a man how to write. It is a matter of talent and interest. I believe he must be strongly moved if he is to become a writer. Writing is like a 'lust,' or like 'scratching when you itch.' Writing comes as a result of a very strong impulse, and when it does come, I for one must get it out.
I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn't know.
My advice to young writers would be to write every day, even if it is only a few words. Get yourself on the habit of writing and it will become a lifelong one. And find a place to write where you are physically comfortable. You can't concentrate if you aren't. Ernest Hemingway could only write standing up, and Truman Capote could only write lying down!
It is only when you open your veins and bleed onto the page a little that you establish contact with your reader. If you do not believe in the characters or the story you are doing at that moment with all your mind, strength, and will, if you don't feel joy and excitement while writing it, then you're wasting good white paper, even if it sells, because there are other ways in which a writer can bring in the rent money besides writing bad or phony stories.
As a rule, one must write a great many words before one learns to write well.
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
Words, words, words, a million million words circle in my head like hawks, waiting to dive onto the page to rend and tear the only two words I want to write. Why me?
I had to learn, as I soon did, that one must give up everything and not do anything else but write, that one must writer and write and write, even if everybody in the world advises you against it, even if nobody believes in you.
If a man means his writing seriously, he must mean to write well. But how can he write well until he learns to see what he has written badly. His progress toward good writing and his recognition of bad writing are bound to unfold at something like the same rate.
In my mind, only one inviolable precept exists in terms of being a successful writer: you have to write. The unspoken sub-laws of that one precept are: to write, you must start writing and then finish writing. And then, most likely, start writing all over again because this writing "thing" is one long and endless ride on a really weird (but pretty awesome) carousel. Cue the calliope music.
A distinguished man should be as particular about his last words as he is about his last breath. He should write them out on a slip of paper and take the judgment of his friends on them. He should never leave such a thing to the last hour of his life, and trust to an intellectual spurt at the last moment to enable him to say something smart with his latest gasp and launch into eternity with grandeur.
Writing sustains me. But wouldn’t it be better to say it sustains this kind of life? Which doesn't mean life is any better when I don’t write. On the contrary, it is far worse, wholly unbearable, and inevitably ends in madness. This is, of course, only on the assumption that I am a writer even when I don’t write - which is indeed the case; and a non-writing writer is, in fact, a monster courting insanity.
It's not possible to advise a young writer because every young writer is so different. You might say, "Read," but a writer can read too much and be paralyzed. Or, "Don't read, don't think, just write," and the result could be a mountain of drivel. If you're going to be a writer you'll probably take a lot of wrong turns and then one day just end up writing something you have to write, then getting it better and better just because you want it to be better, and even when you get old and think, "There must be something else people do," you won't be able to quit.
Go on, get out - last words are for fools who haven't said enough. To his housekeeper, who urged him to tell her his last words so she could write them down for posterity.
The States then being the parties to the constitutional compact, and in their sovereign capacity, it follows of necessity, that there can be no tribunal above their authority, to decide in the last resort, whether the compact made by them be violated; and consequently that as the parties to it, they must themselves decide in the last resort, such questions as may be of sufficient magnitude to require their interposition.
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