A Quote by Paul Kane
I also paint, draw and I'm into film and photography as well, and the same thing applies to all of them. You're presenting this material to the general public and hoping that they're going to 'get' what you're doing. Some don't, some do.
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I'm after joining the 'This Morning' family, so I'm going to be doing a bit of presenting. I'm going to be taking some phone calls, like an agony aunt type thing, I'm going to be taking on some challenges, they want me to do a skydive and drift a car and things.
I'm not going out there and doing the same material every night. I have this amazing audience of fans who have been listening to me, some of them since 1975.
I'm somebody who gets up every day and says, 'What am I going to do today, and how am I going to do it?' I think it moves me toward some outcome I'm hoping for and also has some, you know, some joy attached to it.
Many people came out and said, 'Boy I'd love to make a film that way.' Well, borrow some money, get some people together - you can get people to work for nothing, just treat them right, treat them as human beings, not stars, give them all an equal share, make them feel a part of what they're doing. There's no big secret to it.
So often, I have seen really, really talented performers never quite relating to material. I mean, there's a lot of gay actors, for example, that are obviously gay. They're not going to be able to do some of the material. Some of them they can, some of them they can't.
The difference between comedians and the general public is that we are meant to be funnier. And when you've got politicians giving material so easy that the general public is doing it, what is the necessity of us anymore?
Be aware of wonder. Live a balanced life - learn some and think some and draw and paint and sing and dance and play and work every day some.
It's what is strange about doing a job that is also the thing you love, the thing you feel passionate about. People get to the point where they're burned out and disillusioned by the whole thing because when things aren't going well at work it also means they aren't going well in your heart, in your soul. They're all wrapped up together.
I'm going to call WWE like I call everything. Yes, I'm going to be passionate. Yes, I'm going to be excited, but at the same time, I'm hoping to get better as a storyteller, and I'm hoping to complement the people I work with who have been doing this a lot longer than I have.
I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
The thing is, some girls think they can actually change guys. And what’s funny is that if they actually did change them, they’d get bored. They’d have no challenge left. You just have to give girls some time to think of a new way of doing things, that’s all. Some of them will figure it out here. Some later. Some never. I wouldn’t worry about it too much.
What, or who, led you to take up photography, and about what date ?
George Bernard Shaw – I always wanted to draw and paint. I had no literary ambition. I aspired to be a Michelangelo, not a Shakespeare. But I could not draw well enough to satisfy myself; and the instruction I could get was worse than useless. So when dry plates and push buttons came into the market I bought a box camera and began pushing the button. It was in 1898.
The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work. And I didn't think about the material as much. But sometimes I've thought about the material a lot and thought I was doing the right thing, and it didn't work out.
The only thing that's helped me get through some really hard times was just being able to write and express - it's very cathartic for me. I'm hoping that, by writing and performing for other people, it affects them the same way.
The frustrating part of it is that you're generally known for what you did last. I've had the privilege of doing some very cool independent films that, a lot of the time, the general public doesn't see unless you're at a film festival or you're into that kind of movie.
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