A Quote by Paul Keating

At its best, Aboriginal art has been effective in translating an entire culture and the understanding of an entire continent. Indeed, the more we interpret Australia through Aboriginal eyes, through the experience of their long and epic story, the more we allow ourselves to understand the land we share.
I lived for a couple of years when I was 9 years old on beautiful Aboriginal sacred land in a town of a thousand people in northwestern Australia. It's where the Aborigines are still very connected to their culture, the Dreamtime culture. It was really quite a special experience.
I grew up partially in Switzerland but mostly in Australia. I lived in Kakadu for a short time - it's an Aboriginal community. My best friend growing up was Aboriginal. She taught me so much.
Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
Aboriginal art and culture draws from the land, for Aboriginality and the land are essential to each other and are inseparable.
I want to keep educating the world on the Aboriginal and Torres Strait Islander culture. It's who I am. It's what I know - even more than basketball. To be able to promote it or educate it or teach it in a way, whether it's through cultural centers or dancing or art or anything like that, I think is what I would want to do.
In Western Australia, minerals are being dug up from Aboriginal land and shipped to China for a profit of a billion dollars a week. In this, the richest, 'booming' state, the prisons bulge with stricken Aboriginal people, including juveniles whose mothers stand at the prison gates, pleading for their release. The incarceration of black Australians here is eight times that of black South Africans during the last decade of apartheid.
Within the context of the alchemical vocabulary, the psychedelic experience, as brought to us through plants long in the possession of Aboriginal people, appears to be the identical phenomena.
Urban artist have to face the stigma not only from white Australia but black Australia too; that's horrific when people say that their art isn't "Aboriginal" if it doesn't have dots or lines or moieties in it.
Now, I know that there are some Aboriginal people who aren’t happy with Australia Day. For them it remains Invasion Day. I think a better view is the view of Noel Pearson, who has said that Aboriginal people have much to celebrate in this country’s British Heritage.
The entire time I was following the feelings experienced by children, so the feeling of not understanding what adults say was very important to put the audience in this frequency to understand the world through his eyes.
My family came to Australia on the First Fleet. My family’s been in that country for a long time, over 100 years. If your family’s lived in Australia for a long time, everyone has a little bit of [Aborigine blood]. I know my family does because we have an eye condition that only Aboriginal people have.
I've got tonnes of aboriginal and Native American art, but I'd like even more.
Both education and religion need to ground themselves within the story of the universe as we now understand this story through empirical knowledge. Within this functional cosmology, we can overcome our alienation and begin the renewal of life on a sustainable basis. This story is a numinous revelatory story that could evoke the vision and the energy required to bring not only ourselves but the entire planet into a new order of magnificence.
Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
So what is the Dreaming? I would say the Dreaming is a non-indigenous term used in its broadest sense to describe the stories of our ancestors and how they shaped the land and how they are still part of the land... Across Aboriginal Australia there are as many different terms for Dreaming as there are language groups
What is important is that I have been able to demonstrate to other women and also to Aboriginal people generally that Aboriginal people are capable of doing these things and women are capable of doing these things and Aboriginal women are capable of doing these things.
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