A Quote by Paul Keres

A player can sometimes afford the luxury of an inaccurate move, or even a definite error, in the opening or middlegame without necessarily obtaining a lost position. In the endgame ... an error can be decisive, and we are rarely presented with a second chance.
In the endgame, an error can be decisive, and we are rarely presented with a second chance.
Error is not just acceptable, it is necessary for the continuation of life, provided it is not too great. A large error is a catastrophe, a small error is essential for enhancing existence. Without error, there is no movement. Death follows.
Error is a supposition that pleasure and pain, that intelligence, substance, life, are existent in matter. Error is neither Mind nor one of Mind's faculties. Error is the contradiction of Truth. Error is a belief without understanding. Error is unreal because untrue. It is that which stemma to be and is not. If error were true, its truth would be error, and we should have a self-evident absurdity -namely, erroneous truth. Thus we should continue to lose the standard of Truth.
The most important feature of the Chess position is the activity of the pieces. This is absolutely fundamental in all phases of the game: Opening, Middlegame and especially Endgame. The primary constraint on a piece's activity is the Pawn structure
Like all creatures, humans have made their way in the world by trial and error. Unlike other creatures we have a presence so colossal that error is a luxury we can no longer afford. The world has grown too small to forgive us any big mistakes.
My forte was the middlegame. I had a good feeling for the critical moments of the play. This undoubtedly compensated for my lack of opening preparation and, possibly, not altogether perfect play in the endgame. In my games things often did not reach the endgame!
In order to improve your game you must study the endgame before everything else; for, whereas the endings can be studied and mastered by themselves, the middlegame and the opening must be studied in relation to the endgame.
Barcza is the most versatile player in the opening. He sometimes plays P-KKt3 on the first, sometimes on the second, sometimes on the third, and sometimes only on the fourth move.
No consensus of men can make an error erroneous. We can only find or commit an error, not create it. When we commit an error, we say what was an error already.
For from the error of not knowing, or understanding, what sin is, there necessarily arises another error, that people cannot know or understand what grace is.
There is a lot of difference between tempting and leading into error. God tempts but does not lead into error. To tempt is to provide opportunities for us to do certain things if we do not love God, but putting us under no necessity to do so. To lead into error is to compel a man necessarily to conclude and follow a falsehood.
Titled players appeared to be trotting out game after game in which the same old hoary opening sequences, memorized out to fifteen, twenty, or even more moves, were repeated endlessly. True novelties were becoming scarcer, and sometimes these 'opening' novelties didn't appear until well into the middlegame. (A master-level friend once proudly showed me a novelty he'd discovered at move twenty-seven of a very well-trodden chess opening, and it's said that even as far back as the 1950's Mikhail Botvinnik had some openings memorised past the thirtieth move).
Aging is basically the build-up of error: error at the genetic level, error at the cellular level. Cells normally repair themselves; that's why you heal when you get a cut. But even the mechanism of repair eventually falls apart.
There has been grave error. I do not mean so much error of doctrine as error of emphasis.
But don't despise error. When touched by genius, when led by chance, the most superior truth can come into being from even the most foolish error. The important inventions which have been brought about in every realm of science from false hypotheses number in the hundreds, indeed in the thousands.
The world always makes the assumption that the exposure of an error is identical with the discovery of truth - that error and truth are simply opposite. They are nothing of the sort. What the world turns to, when it has been cured of one error, is usually simply another error, and maybe one worse than the first one.
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