A Quote by Paul Klee
It is possible that a picture will move far away from Nature and yet find its way back to reality. The faculty of memory, experience at a distance produces pictorial associations.
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Memory works like the collection glass in the Camera obscura: it gathers everything together and therewith produces a far more beautiful picture than was present originally.
The best way to think about reality, I had decided, was to get as far away from it as possible.
You said you're going far away," Tamaru said. "How far away are we talking about?" "It's a distance that can't be measured." "Like the distance that separates one person's heart from another's.
User experience is really the whole totality. Opening the package good example. It's the total experience that matters. And that starts from when you first hear about a product experience is more based upon memory than reality. If your memory of the product is wonderful, you will excuse all sorts of incidental things.
The way I would describe a pictorial is that it is a picture that makes everybody say ‘Aaaaah,’ with five vowels when they see it. It is something you would like to hang on the wall. The french word ‘photogenique’ defines it better than anything in English. It is a picture which must have quality, drama, and it must, in addition, be as good technically as you can possible make it.
I imagine as long as people will continue to read novels, people will continue to write them, or vice versa; unless of course the pictorial magazines and comic strips finally atrophy man's capacity to read, and literature really is on its way back to the picture writing in the Neanderthal cave.
Often the tension that exists between the pictorial content of a photograph and its record of reality is the picture's true beauty.
This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.
If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened.
Look around you and look at history. You will see the achievements of man’s mind. You will see man’s unlimited potentiality for greatness, and the faculty that makes it possible. You will see that man is not a helpless monster by nature, but he becomes one when he discards that faculty: his mind. And if you ask me, what is greatness? I will answer, it is the capacity to live by the three fundamental values of John Galt: reason, purpose, self-esteem.
Looking at the doctrine of Darwinism, which undergirded my atheism for so many years, it didn’t take me long to conclude that it was simply too far-fetched to be credible. I realized that if I were to embrace Darwinism and its underlying premise of naturalism, I would have to believe that: 1. Nothing produces everything 2. Non-life produces life 3. Randomness produces fine-tuning 4. Chaos produces information 5. Unconsciousness produces consciousness 6. Non-reason produces reason....The central pillars of evolutionary theory quickly rotted away when exposed to scrutiny.
Recording stories is a way of honoring the faculty of memory, even if it's recorded, outsourcing memory to technology.
If I come back to you now, can we be what we were before life’s uncertain rhythms tore us so far apart? If I return today, will your arms gather me in, or will I be wrenched away, snatched by riptide I have no power to resist? If I find my way to you, one man standing in a crowd, will I even know who you are?
Through my LSD experience and my new picture of reality, I became aware of the wonder of creation, the magnificence of nature and of the animal and plant kingdom. I became very sensitive to what will happen to all this and all of us.
It is not possible to find a landscape, which if painted precisely as it is, will not make an impressive picture. No one knows, till he has tried, what strange beauty and subtle composition is prepared to his hand by Nature.
I think that's the nature of representation. No matter what it will disappoint, it will fail in some way.But that's also part of the magic of art. If every picture met my expectation in exactly the right way, there'd be no mystery; there'd be no gap between what's in my head and the picture I make.
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