A Quote by Paul Klee
The creation lives as genesis beneath the visible surface of the work. All intelligent people see this after the fact, but only the creative see it before the fact - in the future.
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Looking out of my window this lovely spring morning I see an azalea in full bloom. No, no! I do not see that; though that is the only way I can describe what I see. That is a proposition, a sentence, a fact; but what I perceive is not proposition, sentence, fact, but only an image which I make intelligible in part by means of a statement of fact. This statement is abstract; but what I see is concrete.
The reason you see so many volcanoes on Venus is partly due to the fact that there's virtually no erosion there. So on Venus, you're seeing features, some of which are hundreds of millions of years old on the surface. On Earth, we do not see any surface features nearly that old - you only see much more recent features.
It's not unusual to find big political shifts that take place beneath the surface before they're visible above the surface.
It's easy to look back and see it, and it's easy to give the advice. But the sad fact is, most people don't look beneath the surface until it's too late.
I am in awe of the things you've been put through and the fact you can still light up a room when you walk in. When I look at you I see life. I see joy. I see my future.
Whether it is photography, assemblage art or filmmaking, my work is to see beneath the surface.
If I could get their attention long enough, I felt they would see beneath the boobs and find the heart, and that they would see beneath the wig and find the brains. I think one big part of whatever appeal I possess is the fact that I look totally one way and that I am totally another. I look artificial, but I'm not.
Humor is in fact an essential element in the mirth of creation. We can see how, in many matters in our lives, God wants to prod us into taking things a bit more lightly.
Research is about following the gleam into the dark. It's also about being sensitive enough to know which fact is "the creative fact; the fertile fact; the fact that suggests and engenders," as opposed to the fact that deadens and kills a delicate new project.
I have spent my life watching, not to see beyond the world, merely to see, great mystery, what is plainly before my eyes. I think the concept of transcendence is based on a misreading of creation. With all respect to heaven, the scene of the miracle is here, among us. The eternal as an idea is much less preposterous than time, and this very fact should seize our attention.
Because no matter how much money we spend there [in Iraq], as long as the people there see this money as... as assistance that is unwelcome, as long as they continue to be humiliated in their own country by us... I mean, the future looked bleak, and the future after that was in fact very bleak.
Genres are like the surface of the ocean. There are waves and things moving, but you don't instantly see all the reefs and ecosystems that's happening beneath the surface.
Because the question for me was always whether that shape we see in our lives was there from the beginning or whether these random events are only called a pattern after the fact. Because otherwise we are nothing.
I do not see a delegation for the four-footed. I see no seat for the eagles. We forget and we consider ourselves superior, but we are after all a mere part of the Creation. And we must continue to understand where we are. And we stand between the mountain and the ant, somewhere and there only, as part of the Creation.
Free passion is radiation without a radiator, a fluid, pervasive warmth that flows effortlessly. It is not destructive because it is a balanced state of being and highly intelligent. Self-consciousness inhibits this intelligent, balanced state of being. By opening, by dropping our self-conscious grasping, we see not only the surface of an object, but we see the whole way through.
I tend not to approach things intellectually at first. Maybe after the fact i can look at it and see ultimately what it's doing. I start with the characters and their inner lives.
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