A Quote by Paul Klee
Color has got me. I no longer need to chase after it. It has got me for ever. I know it. That is the meaning of this happy hour.
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Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.
I've got hope, I've got dreams and I have aspirations. I don't need to climb mountains; I don't need to build nations. What I do need is the courage to look deep inside, Cos I'm me and from me I know I can't hide. I don't wish to fly, I'm quite happy to glide. I am who I am and I'll be me with pride.
The day I got to Los Angeles after I got traded, Chase Utley was the first guy I saw. He welcomed me. He gave me a big hug. He was, like, 'You. You are my brother.'
To me, Steve was my Prince Charming. He was my happily ever after, and we got that. We got 14 years of marriage; we had the best, most fantastic, adventurous, wonderful life that you could imagine. And I was very happy with that.
[Drizzy] reached out to me through Chase N Cashe, they're brothers, they're one. Chase N Cashe made the connection, played some of my music and he [Drake] got up on it, got interested in the music and just reached out and said "You know what, let's work."
Colour has taken hold of me; no longer do I have to chase after it. I know that it has hold of me forever. That is the significance of this blessed moment
I was cast in this commercial called "Hour After Hour." It was for a deodorant that won't wear off. And [Susan Sarandon] became the Hour After Hour girl after me. But I never met her. So I didn't really know Susan till after this movie [ "The Big Wedding"].
Perk, from the minute you got here... I hated you before you got here... But the moment you got here, man, you just changed my whole perception of you. Just one of the best teammates I ever had. I just thank you so much. The late night calls after tough games, you texting me, telling me I'm the MVP. That means a lot to me, man. Thank you.
I've got a strength and conditioning coach, a weights coach, but I've also got a nutritionist, a physiotherapist and a masseur available to me if I need it. It's quite a good network. I've also got sports scientists who record the technical information, so that, after the race, we can analyse the video and check comparisons between, not only me and the other competitors, but me and my best performance. I couldn't do it without these guys, but I'm the one who gets all the credit.
I wanted to know the name of every stone and flower and insect and bird and beast. I wanted to know where it got its color, where it got its life - but there was no one to tell me.
When I got a call from Hansal Mehta, the CEO of White Feathers, asking me to come for one of their films, I was very happy. I thought they'd have an interesting role for me. But when I got to know they just wanted me to stand in for Sanjay Dutt for some scenes, I decided to give this offer the pass.
And after every audition I booked, my parents would buy me a Barbie, so that was it for me: You got a Barbie, and you got to hang out with friends. And I thought it was just the best thing ever.
In coming to New York, I got my first Broadway show six months after I got here. So that song, 'Movin' Too Fast,' means so much to me, knowing that feeling where it's just where you imagined yourself, but it's flying by you at a million miles an hour.
Once I got a bit older, and we could see there could be a future in football, it was everyone's blessing to chase that dream. And it did me a lot of good: It put me through college, it gave me an education, it got me a little taste of pro ball and a lot of good memories. I don't regret any of it.
I got the feeling Poseidon really didn't know what to think of me. He didn't know whether he was happy to have me as a son or not. In a strange way, I was glad that Poseidon was so distant. If he'd tried to apologize, or told me he love me, or even smiled. it would've felt fake. Like human dad, making some lame excuse for not being around. I could live with that. After all, I wasn't sure about him yet, either.
I felt like for what I needed, Bad Boy got me... they got me covered. Especially Puff, man. He's going to be the first billionaire rap entertainer. At the end of the day, they need me. Other artists-labels don't need me, but Bad Boy and Puff needs me. And I need them. It goes both ways.
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