A Quote by Paul Klee
Light and the rational forms are locked in combat; light sets them into motion, bends what is straight, makes parallels oval, inscribes circles in the intervals, makes the intervals active.
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Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
Not all teachers utilize both forms of light.In certain circles, those teachers who can manifest the light of samadhi but not the mystical light have put down the mystical light.
I woke at intervals until . . . the intervals of waking tipped the scales, and I was more often awake than not.
True eloquence makes light of eloquence, true morality makes light of morality; that is to say, the morality of the judgment, which has no rules, makes light of the morality of the intellect.... To make light of philosophy is to be a true philosopher.
Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.
Men have always been the victims of trifles, but when they were uncomfortable and passionate, and in constant danger, they hardly had time to notice what the daily texture of their thoughts was in their calm intervals, whereas with us the intervals are all.
For me, the only thing that makes one scale different from another is not the starting note; it's the separation of the intervals.
Architecture is the masterly, correct, and magnificent play of masses brought together in light. Our eyes are made to see forms in light: light and shade reveal these forms.
The word 'Namaste' means 'the light in me reflects the light in you' and I think the thing that makes people attractive are the people who shine their light and the people who can recognize that light in others.
Christ is Everything. He is joy, He is life, He is light. He is the true light who makes man joyful, makes him soar with happiness; makes him see everything, everybody; makes him feel for everyone, to want everyone with him, everyone with Christ.
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What is most striking in the Maine wilderness is the continuousness of the forest, with fewer open intervals or glades than you had imagined. Except the few burnt lands, the narrow intervals on the rivers, the bare tops of the high mountains, and the lakes and streams, the forest is uninterrupted.
I like intervals. I will turn a walk into a workout. For example, I walk for five minutes at an easy pace, then power-walk for two minutes and repeat. Intervals blast the fat.
Do not Bodies and Light act mutually upon one another; that is to say, Bodies upon Light in emitting, reflecting, refracting and inflecting it, and Light upon Bodies for heating them, and putting their parts into a vibrating motion wherein heat consists?
I like L.A. because of the light. The light makes me feel so good. It's really beautiful. And there's something about L.A. being so spread out that gives you a feeling of freedom. Light and freedom.
Love is frightened at the intervals of insensibility and callousness that encroach by little and little on the domain of grief, and it makes efforts to recall the keenness of the first anguish.
Science manipulates things and gives up living in them. It makes its own limited models of things; operating upon these indices or variables to effect whatever transformations are permitted by their definition, it comes face to face with the real world only at rare intervals. Science is and always will be that admirably active, ingenious, and bold way of thinking whose fundamental bias is to treat everything as though it were an object-in-general - as though it meant nothing to us and yet was predestined for our own use.
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