A Quote by Paul Klee
He has found his style, when he cannot do otherwise.
Related Quotes
A poor man cannot rival the rich in luxury of life, but he can in luxury of knowledge. He cannot furnish his house as the wealthy can, but he can furnish his head. He cannot found a house of note, but he may found a mind of mark. Though some kingdoms may be adorned or afflicted with kings, learning has always been a republic, where all are equal who know.
Kelvin Gastelum, there's many ways I can classify his style. I like it. He's improved. One thing I can say is that he's improved over his run in the UFC from 'The Ultimate Fighter' and now being a contender. But his style? It's very Mexican. You have the Mexican style of boxing, and he has a Mexican style of MMA, like smart Mexican style.
The essence of a sound style is that it cannot be reduced to rules-that it is a living and breathing thing with something of the devilish in it-that it fits its proprietor tightly yet ever so loosely, as his skin fits him. It is, in fact, quite as seriously an integral part of him as that skin is. . . . In brief, a style is always the outward and visible symbol of a man, and cannot be anything else.
A warrior cannot lower his head - otherwise he loses sight of the horizon of his dreams.
I think that a person cannot be criminally or otherwise prosecuted, his or her rights cannot be infringed upon the grounds of nationality, ethnicity or sexual orientation in the modern world. It is absolutely unacceptable. And it is not the case in Russia.
The latest rule is: you cannot have protectionism - otherwise you will get a world war. Other rules say you cannot have collective ideas that involve the surrender of the individual to the group - otherwise, you get totalitarianism or, even worse, religion.
Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.
Why change? Everyone has his own style. When you have found it, you should stick to it.
Style! style! why, all writers will tell you that it is the very thing which can least of all be changed. A man's style is nearly as much a part of him as his physiognomy, his figure, the throbbing of this pulse,--in short, as any part of his being is at least subjected to the action of the will.
He who distinguishes the true savor of his food can never be a glutton; he who does not cannot be otherwise.
If anyone is unwilling to descend into himself, because this is too painful, he will remain superficial in his writing. . . If I perform to myself, then it’s this that the style expresses. And then the style cannot be my own. If you are unwilling to know what you are, your writing is a form of deceit.
To translate, one must have a style of his own, for the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.
Language is properly the servant of thought, but not unfrequently becomes its master. The conceptions of a feeble writer are greatly modified by his style; a man of vigorous powers makes his style bend to his conceptions.
The artist cannot look to others to validate his efforts or his calling. If you don't believe me, ask Van Gogh, who produced masterpiece after masterpiece and never found a buyer in his whole life.
After all, it is style alone by which posterity will judge of a great work, for an author can have nothing truly his own but his style.
He who has attained the freedom of reason to any extent cannot, for a long time, regard himself otherwise than as a wanderer on the face of the earth - and not even as a traveler towards a final goal, for there is no such thing. But he certainly wants to observe and keep his eyes open to whatever actually happens in the world; therefore he cannot attach his heart too firmly to anything individual; he must have in himself something wandering that takes pleasure in change and transitoriness.
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