A Quote by Paul Klee

Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter. — © Paul Klee
Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.
Color has got me. I no longer need to chase after it. It has got me for ever. I know it. That is the meaning of this happy hour.
For me, each nuance of a color is in some way an individual, a being who is from the same race as the base color, but who definitely possesses a distinct character and personal soul.
For me, each nuance of a color is in some way an individual, a being who is not only from the same race as the base color, but who definitely possesses a distinct character and personal soul.
...they told me of color, that it was an illusion of the eye, an event in the perceiver's mind, not in the object; they told me that color had no reality; indeed, they told me that color did not inhere in a physical body any more than pain was in a needle. And then they imprisoned me in darkness; and though there was no color there, I still was black, and they still were white; and for that, they bound and gagged me.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
My songwriting process is based on a formula: Color, tone, words. When I hear production, I initially identify the color that resonates with me. From there, I am able to translate the color into tone or emotion, which may depend on a number of things.
When I use color, people say, "Oh he's Indian, that's why he's using color!" Perhaps this is true, Indians aren't scared of color, and perhaps that's what makes me different. But also, I personally love color, regardless of where I come from.
When people like me, they like me "in spite of my color." When they dislike me; they point out that it isn't because of my color. Either way, I am locked in to the infernal circle.
I am here and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to.
Generally, when I tell people I'm a painter, they ask me if I have a card: 'Yes, we'd like this room in this color.' I still might get cards that say 'Mark Bradford. Painter.'
Eyeliner is a go-to for me, and gold has always been a color that I really like. It's reminiscent of a lion; it's a strong color.
I don't wear a lot of color. In fact, I don't actually like color on myself. I love color but it's very challenging, it's very powerful, it can overpower you. I think if my eyes were closed and someone put a red jacket on me, I would be able to feel that it was red. I don't feel great in color.
I don't wear a lot of color because I live in New York, and I'm sort of color-blind, so colors don't match to me a lot of the times, and it makes me anxious. So I'll always defer back to black.
When I act, I feel like I am a color in someone else's painting - I can be the best blue that there is, but I'm still only part of their entire picture - but, with music, when I am performing with Reserved For Rondee, I am the painter, you know?
We're looking at a story we want to call "Am I Black enough for you?" That's that whole question of who determines what "Black enough" is. Is it color? And if it's color, then are you telling me that Clarence Thomas is Blacker than Louis Farrakhan? If it's not color then what's the line that determines whether you are?
Color does to me what the touch of the earth did to the giant Antaeus - sends new life, vitality, courage, initiative surging through me. Sometime the scientists will discover that color is a renewer of life.
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