A Quote by Paul Laffoley

I did do, well before Pop Art, all the cartoon characters as paintings. — © Paul Laffoley
I did do, well before Pop Art, all the cartoon characters as paintings.
There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference.
I can't look at TV without seeing something that's been influenced by rap. Even commercials for cereal. When I was small, I was a fan of cartoon characters - now the cartoon characters are rapping!
Ian sighed wanly. "I once had the means to be gaga over art–before I found myself in a country where the standard of beauty is toaster waffles shaped like cartoon characters.
Each painting is its own world, but a lot of times I do see the paintings as one page from a story. You can imagine what has happened before or after. Sometimes they are worded as being a part of a story, especially the paintings where characters are in conversation.
I did 14 movies in six years, I had a cartoon TV show, and I don't want to do that again. I just want to make unique pieces of art. That's why I quit everything when I was 14 and sat around for eight years before I did another movie.
No one blames themselves if they don't understand a cartoon, as they might with a painting or "real" art; they simply think it's a bad cartoon.
No one blames themselves if they don't understand a cartoon, as they might with a painting or 'real' art; they simply think it's a bad cartoon.
I carried on buying paintings, works of art, and Yves Saint Laurent, if I may say so, had a right of inspection. We even shared a common reading of the history of art. It would never have crossed Yves's mind to say to me, "Ah, I saw a Pablo Picasso . . ." He knew perfectly well what was interesting with Picasso, as did I.
By the late '50s, something was happening in England, and it got to be quite exciting. The music world then started to explode with the Beatles and the Rolling Stones. It was an incredible time with this mixture of independence in art, fashion, and the explosion of the pop sensibility. London was certainly at the center of it all for a few years. And as far as art is concerned, I think that sensibility of what was later called Pop art started in England even before America. And so I was lucky to be there.
The first time I got on stage I was 10 years old and I did impressions. I did cartoon characters and I really got the bug for this life when I saw that people were laughing and saw the attention I was getting.
I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
Before Dylan, before rock became art, it was a wonderful fusion of pop structure and personal statements.
When I started to do these Pop paintings seriously, I used all these other paintings - the abstract ones - as mats. I was painting in the bedroom, and I put them on the floor so I wouldn't get paint on the floor. They got destroyed.
I love art, in particular, paintings. I have, well, a lot.
I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
I'm a huge fan of Renaissance art. It's very direct. They're paintings that hit you in the face in the same immediate way that a huge pop tune hits you in the face.
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