A Quote by Paul Laffoley
It was on Long John's show that I heard Orfeo Angelucci being interviewed. In other words, the whole thing about the green globes on the top of a car bumper and the voice coming out, you know, and then this beautiful lady.... So he went through the whole number, what you read in his book, that kind of stuff. A whole raft of things.
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Carl Jung put [Orfeo Angelucci] in his last book [Flying Saucers: A Modern Myth of Things Seen in the Sky, Harcourt, Brace & World, 1959]. He said Orfeo had made up a new bible.
Even going out to get milk becomes a little bit challenging, just because there is a whole entourage that then travels with me for this simple thing. So I tend to try and find ways not to inconvenience a whole raft of other people, so it changes my mindset a little bit.
You know," I said, holding my ground. "I gotta tell you. The goatee thing? Yeah, way over. And you know a little jewelry really does go a long way. Just something you might want to consider. I'm actually glad you stopped by, because I have a couple things I've been meaning to say to you. Number one, about your wife? Yeah, she's a skank. And number two, you know that whole thing where you killed Jesse and then buried his remains out back there? Yeah, way un-cool.
We are confronted with the possibility of a war of such destruction that the whole existence of our nation and of the whole world is at stake. And yet, people know it - people read it in the newspapers, people read that at the first attack, a hundred million Americans might be killed. And yet, they talk about it as if they were talking about something being wrong with the carburetor of their car, perhaps.
How about Proust's In Search of Lost Time?" Tamaru asked. "If you've never read it this would be a good opportunity to read the whole thing." "Have you read it?" "No, I haven't been in jail, or had to hide out for a long time. Someone once said unless you have those kinds of opportunities, you can't read the whole of Proust.
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
In a sense my whole life as a writer is trying to find structural ways, or formal ways, to permit that outflowing so it doesn't just look like crazy output. In other words, if it turns out that you can do a given voice, that's just kind of inclination. But then if you can find a way to put that voice in a story so that the voice serves a purpose, then I would say that's being a writer.
I think for a lot of artists, if you're lucky enough to have a kind of career, especially toward the end, you start to think about what the whole ensemble looks like. It's the whole that counts. The parts are given, but you don't know how the whole thing's going to look when it's all put together.
I know about lots of things that have nothing to do with being Asian, that you would never guess from looking at me. I know all about musical theater. I could go on 'Jeopardy!' and knock off the whole Broadway show tunes category. Also the whole Bible stories category.
Success is when the whole gets enlightened. When you become one with the whole, that's the real success. To be one with the whole is the real success. And when that success is achieved, then you really enjoy that growth - that growth of your awareness which makes you one with the whole. That is what you have to know, is to become your whole. You are just a fragment, a segment, a cell. You have to become the whole and that can be done only through this connection.
I want the whole Christ for my Savior, the whole Bible for my book, the whole Church for my fellowship, and the whole world for my mission field.
Lyrics are kind of the whole thing; it's the message. Something might have a beautiful melody but if it's not the truth coming out of your mouth, it's not appealing
Lyrics are kind of the whole thing; it's the message. Something might have a beautiful melody but if it's not the truth coming out of your mouth, it's not appealing.
If the novels are still being read in 50 years, no one is ever going to say: 'What's great about that sixth book is that he met his deadline!' It will be about how the whole thing stands up.
If you are for a long time at the top you've basically achieved everything you wanted to. Then the ball's breaking stuff starts to be too much: it's not what you do in the car, it's what you do outside the car - the press conferences, the interviews, the sponsorship commitments, the marketing appearances - that sadly go up to a level that the whole package, including the risks you take, the workload you do to get the car to work and for you to be quick in the races, it becomes too much.
I first heard of [Orfeo Angelucci] from Giuseppe Conti who gave me some books by him.
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