A Quote by Paul Lansky

The experimentation that I do has a lot to do with tunes and pitches and ways that melodies are put together. — © Paul Lansky
The experimentation that I do has a lot to do with tunes and pitches and ways that melodies are put together.
Blue grass was the outgrowth of Irish music. As a matter of fact a lot the tunes, a lot of the melodies and the jigs... have different names but are actually the same tunes.
I love countermelodies, I love hooks and melodies that stick in your head. If I could put 20 melodies in a song and they would all work together, I would.
My biggest thing is I need to see a lot of pitches, which I did today. That's good. The more pitches you see, the better your timing is going to be. But it's going to be impossible to see enough pitches. No matter how many pitches you see, it's still going to be March 6.
I like to see a lot of pitches just to get a feel for being in the batter's box and seeing pitches.
If you can get an out on one pitch, take it. Let the strikeouts come on the outstanding pitches. Winning is the big thing. If you throw a lot of pitches, before you know it, your arm is gone.
We have three approaches at our disposal: the observation of nature, reflection, and experimentation. Observation serves to assemble the data, reflection to synthesise them and experimentation to test the results of the synthesis. The observation of nature must be assiduous, just as reflection must be profound, and experimentation accurate. These three approaches are rarely found together, which explains why creative geniuses are so rare.
I have written most of my melodies walking and I feel it is definitely one of the most helpful ways of sewing all of the different things in your life together and seeing the whole picture.
I think it's such a powerful thing: Words and melodies, and you put them together. I couldn't really picture a world without music. It would be quite boring.
I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for the most part, although I do a couple of Duke Ellington tunes that are well known.
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies, and Loony Tunes cartoons.
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
It takes a lot of work to put together a marriage, to put together a family and a home.
I'm not really a country singer, although I did make a couple albums and love its simple, straight-from-the-heart approach, but I have always sung a lot of jazz, show tunes, pop tunes, gospel and blues.
There was a lack of inspiration in London. There were a lot of dregs of the Libertines' movement, and we didn't want to do that. We wanted big melodies and hooks, organic melodies that could fall apart at any moment.
If you're dealing with a character that actually exists, there's an awful lot of information there. So, you can put together, from the information, motivations, insecurities, reactions. Where does that seed get born, if you like?... What I do is put that together.
I'm interested in what bonds people together. You know, what brings us together in good ways? And there's not a lot known about that.
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