A Quote by Paul LePaul

There is no substitute for skill. It is the priceless possession of every great artist in every field of endeavor. It is instinctly felt by an audience and is reflected in the superiority of his work
Every great man, every successful man, no matter what the field of endeavor, has known the magic that lies in these words: every adversity has the seed of an equivalent or greater benefit.
The war was a mirror; it reflected man's every virtue and every vice, and if you looked closely, like an artist at his drawings, it showed up both with unusual clarity.
Memory is a great artist. For every man and for every woman it makes the recollection of his or her life a work of art and an unfaithful record.
Every artist is in everything he creates, and indeed if the truth is told, every person is in his life, in his work, whatever his work may be, and this is visible in his face, figure, stance, movement, and totality.
Your ability to name every single variation of Kryptonite and every first issue in which it appears is a great pop quiz skill, but is not a great writing skill, all right? So just because you can do that doesn't mean you know how to write.
Of two men looking at a green field, one estimates its yield in bushels and calculates the price of the bushels in silver and in gold. The other drinks the greenness of the field with his eye, and kisses every blade with his thought, and fraternizes in his soul with every rootlet and pebble, and every clod of earth.
Whether you're talking about Shakespeare or, you know, if you look at Greek tragedies. I mean, every playwright, every songwriter, every artist who's ever sat down and been moved to create something, has been living in a context. A political moment that's most often reflected in their work. Even if you're, you know, kind of a nature poet.
It's a truth universally acknowledged that an FBI special agent in possession of great skill and talent is likely to engage in trash talk every now and then.
Any work of art represents a series of conscious choices on the part of the artist - what color to paint, what note to play, what word to use - in that artist's attempt to share what is in his or her soul. The audience is free to accept or reject those choices; it is emphatically not free to substitute its own.
Everybody felt his superiority, but nobody felt oppressed by it. Though he had no illusions about people and human affairs, he was full of kindness toward everybody and everything. Never did he give the impression of domineering, always of serving and helping. He was extremely conscientious, without allowing anything to assume undue importance; a subtle humor guarded him, which was reflected in his eyes and in his smile.
If a chieftain or a man leave his house, garden, and field and hires it out, and some one else takes possession of his house, garden, and field and uses it for three years; if the first owner return and claims his house, garden, and field, it shall not be given to him, but he who has taken possession of it and used it shall continue to use it.
Every artist - even if they do Superman, they do Batman, and things like that - they are speaking about his life. Every person, every artist makes his life an artwork.
Every new skill you learn, every adventure you go on, every new thing you try, it only makes you a better artist.
Every man judges his own happiness and satisfaction with life in terms of his possession or lack of possession of those things that he considers worthwhile and valuable.
Every mother should endeavor to be a true artist.
Roll back the clock, and every possession of every great country started with a crime.
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