A Quote by Paul Lockhart
The thing I want you especially to understand is this feeling of divine revelation. I feel that this structure was "out there" all along I just couldn't see it. And now I can! This is really what keeps me in the math game- the chance that I might glimpse some kind of secret underlying truth, some sort of message from the gods.
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I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.
Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. That there is some sort of truth to the whole thing, if you could just get to that point where you could see it, and live it, and feel it. I think it is a long, long, way off. In the meantime there’s suffering and darkness and confusion and absurdities, and it’s people kind of going in circles. It’s fantastic. It’s like a strange carnival: it’s a lot of fun, but it’s a lot of pain.
What's interesting to me is that in terms of people who I feel are getting what my game is about - and here I'm not even talking about what the elements of the story mean, like, whatever symbolism and metaphors and things are in there. But even the structure of the game, like, there's a fundamental structure and reasons in the way things are laid out, and parts of the game that are meant to draw people's attention to certain things, regardless of what's contained in that structure. And what's interesting to me is that some people get that, and some people don't.
I'm kind of happy to know there may be some kid or teenager now who might never have had the chance to see my Broadway performance, but gets a taste for what it might have been like now, because they can see Clint Eastwood's film."
I was always waiting for the secret to be handed down to me. Ron Howard asked me what I was waiting for and I went, "Ron, I'm waiting to know the secret. I keep feeling there's some sort of secret that's going to passed on from a director." He went, "Oh no. There is none. You've just got to on and do it and make mistakes and figure it out."
A smile is just such an amazing thing. And to think that some of those people can now smile because they can see you, that gives me that sort of charge, energy... that's what powers up my batteries. That's the joy that I have and that keeps me going. That's my rocket fuel, I suppose.
A heartsong doesn't have to be a song in your heart. It doesn't have to be talking about love and peace. It can just be your message. It can be your feeling. Some people might even call it a conscience, even though that's not really what it is. It's your message, what you feel like you need to do.
This is a cliche, but in fiction, I feel it is easier for me to get to some sort of truth, some kind of more honest writing.
You know and I know that as soon as it's done, you have to get it out there. You want what's best for it. And especially in owning a label, which some days is the greatest thing for me and in some days is my demise because you see the truth and the work that goes into things and you see things happen and you see things not happen, and all you want in this world of currency right now is popularity, that's it!
Sometimes a little kid will come up to me and ask me to show him some tricks. I always have to say: 'I can't do any tricks.' They want to see some sort of magic: keepie-uppies, around-the-worlds, that sort of thing. It's not really my strength.
You know, I think I did originally have some sort of idea of maybe a Where Eagles Dare kind of mission against impossible odds, but it really sort of died before I had a chance to really go anywhere with it, and then just doing the book was out of the question.
...but Cliff keeps pushing for the truth like therapists do, because they all have some sort of psychic ability that allows them to see through your lies, and therefore they know you will eventually tire of the talking game and will offer up the truth.
I dress how I feel that day. If I'm feeling tired, you might see me in a hoodie. If I'm feeling like I want to dress up, you might see me in a button-down. I try to mix it up with my shoes, but I don't really look at it as competitive, like, 'I want to dress better than this guy.' I'm just myself.
I have a feeling that you're riding for some kind of a terrible, terrible fall. But I don't honestly know what kind.... It may be the kind where, at the age of thirty, you sit in some bar hating everybody who comes in looking as if he might have played football in college. Then again, you may pick up just enough education to hate people who say, 'It's a secret between he and I.' Or you may end up in some business office, throwing paper clips at the nearest stenographer. I just don't know.
I've met so many amazing fans in the couple of weeks since the release of my second album, and everyone keeps telling me they feel so connected to the record. I think as an artist, all you really want out of your album is to feel like you're not alone.Because you wrote it for a reason. You wrote it because you're feeling some kind of emotion that you had to get out in the world. And if fans say, "that makes me feel like I'm not alone", then you get to say back to them, "Well, you telling me that makes me feel like I'm not alone either".
We're just a conceited, naked ape. But in our minds we're some sort of "divine legend," and we see ourselves as some sort of god. That we can walk around the earth deciding who will live and who will die and what will be destroyed and what will be saved. But the fact is we're just a bunch of primates out of control.
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