A Quote by Paul Marcarelli
I've never been able to write for myself. I was doing a lot. I produced The Green, I wrote it - I didn't see myself in the world of this film. I'm sure there are elements of dark corners of my psyche that found their ways on screen; you didn't need my mug up there. There was enough of my essence in the story as it plays out without me acting in it.
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I grew up never seeing myself on-screen, and it's really important to me to give people who look like me a chance to see themselves. I want to see myself as the hero of any story. I want to see myself save the world from the bomb.
I’m a black woman who is from Central Falls, Rhode Island. I’m dark skinned. I’m quirky. I’m shy. I’m strong. I’m guarded. I’m weak at times. I’m sensual. I’m not overtly sexual. I am so many things in so many ways and I will never see myself on screen. And the reason I will never see myself up on screen is because that does not translate with being black.
When you're doing a film that has so many effects, you do a lot of it on green screen, and you can't see what that world is.
I wrote myself back together. I wrote myself toward a stronger version of myself . . . Through writing and feminism, I also found that if I was a little bit brave, another woman might hear me and see me and recognize that none of us are the nothing the world tries to tell us we are.
I wrote as a teenager, and once I started acting, you know, you're learning lines, you're doing other people's words, it takes up a lot of time. Especially if you're dedicated to what you're doing, you're trying to do a decent job at it. But I would have said to myself, "Write more, please."
I definitely see myself as a leader. One of the ways I've been lucky enough to lead and likely to continue to lead is just my actions and the way that I approach the game and working hard and being a player that steps up in big-time situations when plays need to be made.
I see trees of green, red roses too. I see them bloom for me and you. And I think to myself what a wonderful world. I see skies of blue and clouds of white. The bright blessed day, the dark sacred night. And I think to myself what a wonderful world
I never make a distinction between doing a film in Hollywood or doing a film independently. It's just the story. It's always the story for me. The constants are that it should challenge me and I shouldn't repeat myself. And the story should always be a story worth telling.
I have to admit I've found myself doing the same things that a lot of other rock stars do or are forced to do. Which is not being able to respond to mail, not being able to keep up on current music, and I'm pretty much locked away a lot. The outside world is pretty foreign to me.
Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.
My very first story, I was around 5, and I really just wrote myself. When I was 5, I loved myself so much I gave myself a twin named Tomi. Everything started out fine. But then I didn't write another black character until I was 18.
For me, I need to be able to show up on set and fart around and goof around. If I can have that, when I'm not acting, then when I'm acting I can go however deep and dark and bad I need to. I developed that more with 'Breaking Bad' because I've never worked on anything as dark for as long.
When lockdown happened, and I didn't have that focus to sit down and write a novel, which is what I was supposed to be doing. I still found myself having to write: It was a really interesting thing to learn about myself, that this is a part of who I am, and without it I get frustrated.
The vow of silence, that's the mind-blower. See, talking is what I do... i t's a real need with me, a craving, I'm like a word junkie. I never shut up. I talk to myself, I talk in my sleep. The idea of voluntarily turning off that tap, I can't imagine it It'd be like, I don't know, all the rivers in the world just slammed to a stop. No churning, no flowing, no white water, just stillness, crushing stillness. I don't think I could stand it, locked up like that in my own psyche. I'd collapse into myself, I'd implode
I made a promise to myself to write songs I liked. I'm an acoustic singer/songwriter, and I need to be able play every song by myself on guitar. No matter what the production ends up being on the record, I've got to be able to go out and sell it all on my own. It's about connection.
You can sit and write in your room all you want, but until other people see it, until you see it produced for television or film or something, you're not 100 percent sure if what you wrote is actually going to work.
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