A Quote by Paul Marcarelli
I feel very grateful. I wasn't raised with money. My parents were schoolteachers; I was raised on a small farm. It never dawned on me that I would have a job that someone would pay me to do. Much less a job like this. It would be ridiculous if I had any complaints about it. And look - I've had the opportunity to learn an entirely new set of skills, and I'm bringing them to the work I'm doing now in filmmaking.
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Directing is a nice job. It's the best job for me. If i had to pay money to do it, I would do itIt's problematical. It's disapointing often. It's very challenging. It's frustrating as hell. It's extremely demanding and totally satisfying work. And if I wasn't doing this, I would have to do legitimate work for a living. There are guys out there really working for a living, cleaning streets or coal mining, teaching. Directing is playing. Acting.
To be honest, I've always had far too much freedom. I had a job when I was 10. I started living on my own when I was 17 or 18. I've earned my own money; I've traveled the world. What would I rebel against? I've had so much freedom, sometimes it was hard. My parents wanted to protect me, but they had no idea how to. I had to learn as I went and make my own mistakes. I went from being totally unknown and never acting professionally to being in a major movie and being very famous. It all happened so quickly, I didn't have any time to work things out. It's been pretty scary at times.
I had to really learn what it meant to be on a set and what the expectations were and what producers are. I had to learn who I'm talking to and what their functions are. I had a couple of gaffes: I would ask a person a question, and it wasn't their job. I had to Google their job description. That was the first big adjustment.
For me, in general, it's always about the material. Obviously, it's about the material and hoping that someone wants to hire me for a job, too, but I've certainly seen films like 'Orphan' and movies like that where I know that if I had had the opportunity to read that script or had an opportunity to do it, I would have wanted to do it.
I believe L.A. made me, really raised me. I think about that all the time. If I was raised in New York, how would I be? Would my game be different? You know, I think about that a lot, if I was raised somewhere else.
I've been through periods where I haven't worked and would have paid someone to give me a job - I think that's really helped me feel very grateful to have a job, even when I have a call time of 3:30 A.M. My mom laughs when I text at 4 A.M saying, 'I love my job.'
I can't imagine ever not doing [acting]. I would feel like I would have lost a limb. But I am older now, and sometimes I wonder who I would have been and what about me would have changed had I not had these experiences as a young person
My parents have raised me to believe in a kind and a loving God and someone who cares about me, who is always there for me, and who would never wish harm or illness or any kind of tragedy upon me.
Education was a given, only because of the way I was raised. Truth be told, I thought, at 15 years old, I should go and get a record deal and drop out of school, and my parents would have had none of that. I'm grateful now that my parents were pushing me in that way, because I wasn't mature enough on so many levels to do that.
I think I'm probably the only person that, when the parents lent me money to make the movie, they wished I had not paid them back. They could have said 'No,' and it would have ended, and I would have gotten a real job.
In my country, families are raised as though they are one. Although I am from the Dinka tribe, my parents didn't raise us as the Dinka tribe. They raised us as the Wek family, in the way they believed their children should grow up. So when you leave, the first thing you think is the ones you left behind. It's natural to help them in any way you can. I found a way to support myself rather than asking my Mum to give me money. I would work before school and send money back to pay for their rent and food.
When I was acting, I was always asking abut the mechanics of filmmaking. I decided I would learn what everyone on set was doing, so I would feel less threatened.
I really enjoy work to a purpose. Maybe that makes me kind of strange. In some ways - and this is going to sound awful - it could be that writing is the worst job that I've ever had. Because it's so much more important to me and there's so much more opportunity for failure and I have so many people depending on me. In some ways it's the most satisfying, the most gratifying, and the most rewarding job I've ever had. But I actually would say it's probably the worst job I've ever had too.
It never seemed important to me that my photos be published. It's important that I take them. There were periods where I didn't have money, and I would imagine that someone would come to me and say: 'Here is money, you can go do your photography, but you must not show it.' I would have accepted right away. On the other hand, if someone had come to me saying: 'Here is money to do your photography, but after your death it must be destroyed,' I would have refused.
When I first got to WWE, the head of talent relations was John Laurinaitis, who is now my father-in-law, and the first thing I thought when I saw everything that he had to do is, I thought, 'I would never, in a million years, ever want that job. You could not pay me enough money to have that job.'
It's been a very strange trajectory because I struggled for so many years. I mean, I was doing these videos, I was doing these live shows, I had a lot of fans in New York, the press would write about me, but I couldn't get a paying job, and so my father and I were really like a team.
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