A Quote by Paul Marciano

The campaigns and the models in them create the fantasy around the brand. It has always been about having strong images. Without that, we could not have gone into all the categories we did. It really has been the foundation from where the house of Guess was built.
As both an essayist and science fiction and fantasy novelist, I write about and for the future. I talk about the past to remind us that what we believe has always been true - that men and women are somehow static categories, or that men in power has always been the default, or that same-sex love affairs were always taboo - has not always been thus.
Having been adopted, I really have a strong sense- a necessity almost- for stability, a foundation where my family is concerned. [Success] would be meaningless without anyone to share it with.
When I came in, the city was on the edge of bankruptcy. I'm proud of what I did. I built the foundation that mayors after me built upon - particularly Bloomberg. But the foundation was essential because if it hadn't occurred, we would have been another Detroit.
I think in order to really create something special, it has to be built on some foundation. And I think friendship is a good foundation you could always tap back on if you don't agree. So for me, it's not dating, it's more so friendship.
P.O.D. kind of built that brand name. We came out and have been open about our faith. We've always been a positive band in a world that's pretty crazy and wild.
I've always been a strong feminist and felt that the image of models was detrimental to women. That whole thing really bothered me. I would think about quitting about once a week.
We built our fashion around three fundamental concepts: Sicily, tailoring, and tradition. Our dream is to create a style which is timeless, and to create clothes with such a strong personality that whoever sees them can instantly say without a shadow of a doubt: this is a Dolce & Gabbana.
I know this is insane, but i somehow wish i had been in auschwitz with my parents so i could really know what they lived through! I guess it's some kind of guilt about having had an easier life than they did.
Versace has always been a brand that I've loved, a brand that has supported me. I've been wearing Versace for so long, I come in here and I have friends here, and they really support what it is that I do. Our partnership has been great.
I guess really having a good support group around me and talking about what I've gone through is important.
I always think about the role models I had when I was a little girl. They really made me feel how big I could dream, they made me feel I could do things that I did not think I could do before. And because of them, I went and did what I did and I am where I am now.
There's always been this strand of filmmaking in Britain which is like socialist neo-realism. That's always been there. I've never been part of that, really; I've been much closer to fantasy.
Having my foundation be from two positive black role models in my life, my mom and my dad, two strong-minded intelligent individuals who clearly have made a great deal of great decisions in their lives and put me in a position, via educational institutions, to be around other intelligent people and to have a strong moral foundation, from which I try to never stray far. It all spurred me to carve out my own little niche as a human being.
Once I knew that I wanted to be an artist, I had made myself into one. I did not understand that wanting doesn't always lead to action. Many of the women had been raised without the sense that they could mold and shape their own lives, and so, wanting to be an artist (but without the ability to realize their wants) was, for some of them, only an idle fantasy, like wanting to go to the moon.
My teams have always been dominant about having the ball but having the ball to create opportunities. That's always been the clear way of my work.
I can carry a brand. I did it in the UK with an entire brand basically built around me, and my in-ring work speaks for itself.
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