A Quote by Paul Mazursky
The one thing that's closest to my story is the thing about trying out for the juvenile delinquent role and getting it. That was the start of my acting career... which I've resumed, by the way.
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If you want to understand the entrepreneur, study the juvenile delinquent. The delinquent is saying with his actions, ‘This sucks, I’m going to do my own thing.’
A terrible thing about getting oldish is that your friends start dying, and in the last ten years I have lost seven or eight of my closest.
This is the way I look at sex scenes: I have basically been doing them for a living for years. Trying to seduce an audience is the basis of rock 'n roll, and if I may say so, I'm pretty good at it...Plus, being married and monogamous, it's the closest thing I can do to having sex without getting in trouble for it...The only thing I like more than my wife is my money, and I'm not about to lose that to her and her lawyers, that's for damn sure.
My favorite quote about entrepreneurship is that to understand an entrepreneur, you should study a juvenile delinquent. They're both saying: "This sucks and I'm going to do it another way." You have to want to break the rules and prove that your way works.
The interesting thing about my career is for years I was trying to do that thing of getting in shape and looking cool - I would look at myself in camera angles and think how my chin looked the best and all this stuff. And I really couldn't get that much work.
I have an acting coach that I work with on everything that I do. The thing about my preparation process for getting ready for a role is I have sex with as many people as I can.
When we first met, I was trying to put a band together. I asked around at school for other guys who wanted to play in a band. Someone told me about a juvenile delinquent they knew who played bongos.
I was a medium-level juvenile delinquent from Newark who always dreamed about doing a movie.
I try to turn a written thing, when I'm in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
There was a time in my acting career, where I was trying to figure out if acting was the thing to do. You know? I was always on this journey of trying to learn more about humanity and people - using the characters and situations as guideposts. I could switch up and do another job as long as I'm continuing that same search and that same journey of revealing my connection to humanity and the universe. And directing gives me the opportunity to explore ALL these different lives and their connection to their environments and the people. And I get to connect to the wires of the universe.
It [love about acting] is all about role playing - the same thing you do when you're a kid, when you play with dolls or toys and make up stories. I never grew out of it.
I think people have a misinterpretation of Method acting, because Method acting is a wonderful thing. The thing is, if you take it too seriously, it's like religion. You start to think it's the truth. But it's not the truth. It's just a way to get somewhere.
I guess Species was a movie made for me and hence I bagged the role. In fact even when acting, I never thought the outcome would be so good which I think it was! The entire role was a challenge. I was to be this strange yet sexy thing which was challenging!
He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.
A writer's job is not complete without attention to precision. What you're trying to be precise about is your relationship to the observed thing. And "observed thing" could include remembered thing, fantasized thing, fictionalized thing, recorded thing, trans-altered thing. It's the model that's in front of you or in your brain or your memory or whatever. So you're trying to be precise about what it is you're seeing because it's very unlikely that you're going to be able to depict it as it is.
I hope I never have to stop acting. I love it. But, I think the coolest thing about acting is working with these amazing people all the time, and writing represented a new way to meet those people and to tell stories, at the same time, which I've always wanted to do, and to tell jokes. I love comedy, so writing was a way of getting these jokes that I had down on the page.
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