A Quote by Paul McCartney

A lot of artists use memories. A lot of prose writers, a lot of poets, a lot of songwriters, refer back to something. Generally it's all you've got, unless you're brilliant and can write totally in the now.
Writing is not a great profession as a lot of writers proclaim. I write because this is something I can do. Another thing—very often I think a lot of writers write because they have failed to do other things. How many writers can’t drive? A lot. They’re not practical. They are not capable in everyday life.
In terms of performance, something unexpected is always good, it's preferable if it's unexpectedly good. But unexpectedly bad has a lot to say for it as well. It's always nice to be able to look back on a show and say, "Oh, that's the night that this happened," and a lot of the worst memories are better than the shows with no memories. A good rehearsal is a lot harder to describe. A lot of rehearsals that end up feeling best are the ones where something really bad was happening, and you just kind of got past it and fought through it. Just dealing with things that are inevitable.
A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
I hear a lot of artists become kinda self-referential, and a lot of people that tour a lot tend to write about the perils of being on the road later in their careers.
I didn't realize how much harm I was doing back then and I think a lot of rap artists probably don't realize it now. I said a lot of stuff fooling around back then, and I saw it do a lot of harm.
I don't know if younger poets read a lot of, you know, the poets - the established poets. There was a lot of pretty boring stuff to sort of put up with and to add to, to make something vital from.
I'd advise all you songwriters out there, if you're getting into it for the business, go home and get a job digging ditches or something. Get a life. You'll learn a lot more, and you won't write a lot of rotten poetry.
I see Calcutta as a place where I have a lot of memories... a lot of fond memories of coming back here and helping the children.
There's still a lot of great songwriters out there who hand in songs. And there's a lot of brilliant singers and performers out there who sing other people's words. I enjoy doing both.
You know, there's still a lot of great songwriters out there who hand in songs. And there's a lot of brilliant singers and performers out there who sing other people's words. I enjoy doing both.
Theres a lot of blowhards in the political process, you know, a lot of hot-air artists, people who have got something fancy to say.
A lot of times when songwriters get together and write a song... somebody will come in with a hook and a lot of times they come out with something that sounds a little crafty.
To observe the world carefully, to write a lot and often, on a schedule if necessary, to use the dictionary a lot, to look up word origins, to analyze closely the work of writers you admire, to read not only contemporaries but writers of the past, to learn at least one foreign language, to live an interesting life outside of writing.
I read a lot of autobiographical stories, and I write plays and prose. And I play piano and cello. A lot of my downtime is devoted to that.
I feel a lot more comfortable being me these days. I'm constantly told that my work is good. A lot of fans and a lot of other artists say my songs and albums mean a lot to them. Isn't that what's important?
I think I got a lot of life skills; I got a lot of wisdom; I've seen a lot of bad things happen to a lot of good people.
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