A Quote by Paul McCartney
Personally, I think you can put any interpretation you want on anything, but when someone suggests that Can't Buy Me Love is about a prostitute, I draw the line. That's going too far.
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I'm not going to play someone too far from who I am. Although I did a movie where I played a killer, and that has yet to come out. But that's someone I love being able to shock people with. I could do something you would not expect me to do. My limitations are - I'm not Meryl Streep. I'm not playing anything in a foreign language, or anything too far from who I am.
It's not okay to just make up false things about someone, especially in their personal life. Professionally, fine! Scrutinize me all you want. I know that I can't please everyone, but personally, let's just leave it alone. It's going too far.
Any kind of creativity is not settling down into a happy little space. I don't try to be mellow or anything. I think I have quite... my voice is what it is, no matter what I'm singing, it's always going to sound like me. There's not too far I could go. I sound like myself. I hope that I haven't put any boundaries on anything.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
I've never done anything that I felt was crossing the line for me. But everybody has to make that decision individually. Like, I've never shot heroin to play a heroin addict. I've never turned a trick to play a prostitute. Whatever. You draw the line where you feel it could be harmful.
It's hypocritical to say when things are going well, 'Interview me. Ask me how great I am. Ask me about family and personal life.' At some point later, when someone wants information and you want to draw the line, how do you do that?
I don't think about the reader in any conscious way that impacts the writing, as far as, Hey, most readers would like this! But at the same time, if it were presented to me: "John, you're going to write a novel. It's going to take you a few years. When you're done with it, there's a law that no one's allowed to read it." I don't think I would write it. I want someone to read it!
If you consider that a single straight line can be drawn between any two points, one day I'm going to draw a line from him to me or me to him.
I could go on for days about why I love yoga. One of my favorite parts is I can't think about anything else other than doing what the teacher tells me to do. For me, someone who has a million things going on at any given moment, that kind of surrender is liberating. I also learn so much about myself - my limitations, my potential, how to be mindful of an injury.
Just think about it yourself; you don't want to put the [cat's] litter box down the basement because that's too far, on the other hand you don't want to put where everybody is traipsing in and out the back the door.
If I'm going to draw something, I don't know the day before what I'm going to draw. It's just very much an interpretation of how I'm feeling that day and what I think is the coolest thing in my brain at that very moment.
Longing surged up within me. I wanted it. Oh God, I wanted it. I didn't want to hear Jerome chastise me for my "all lowlifes, all the time" seduction policy. I wanted to come home and tell someone about my day. I wanted to go out dancing on the weekends. I wanted to take vacations together. I wanted someone to hold me when I was upset, when the ups and downs of the world pushed me too far. I wanted someone to love.
I wouldn't want someone assuming that some negative song has some truth between me and my wife. There was a song that one of my buddies sent me, and it was an awesome song. It was about this woman who had fallen in love with a man that wasn't her husband, and I love everything about the song except for the fact that I personally cannot sing it. It would kill me if someone thought I was singing it about my wife.
Do you think you can love too much? Or experience too much beauty, at the cost of too much pain? Do you think when art is defined by expressing so much beauty and so much pain, just to be able to cope with both - and bring other people something creatively beautiful at the cost of that pain - that we can draw a line of 'normalcy'? It's important to think about.
I think what I love most [about writing] is that feeling that you really nailed something. Sometimes with a line you feel that it really captured what it is that you had inside you and you got it out for a stranger to read, someone who may never love you or meet you, but he or she is going to get that experience from that line.
With me more than anybody it seems silly having a stage name, and there wasn't any particular difference between me and John Wesley Harding. There wasn't any need to draw that line. I just happened to draw it.
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