A Quote by Paul McCartney
I lost my voice. I'd never had to cancel a show before and I had to walk around with a pad and a pen, writing things down.
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There was a time when I had to cancel around five shows because I lost my voice due to acid reflux. Being with Journey, I get introduced to very good doctors and specialists. I'm managing the condition with proper medication.
The first night you walk down to a comedy club, at least for me, I had my voice, and then I went on stage and I lost it.
But all three of them had had to lose things in order to gain other things. Will had lost his shell and his cool and his distance, and he felt scared and vulnerable, but he got to be with Rachel; and Fiona had lost a big chunk of Marcus, and she got to stay away from the casualty ward; and Marcus had lost himself, and got to walk home from school with his shoes on.
It had helped to keep her sane, that writing. Then, when time had begun again and real people had entered it, she'd abandoned it here. Now it's a whisper from the past. Is that what writing amounts to? The voice your ghost would have, if it had a voice?
When we developed the 'Seinfeld' show, we took a bet on Jerry Seinfeld, who was not a household name. But Jerry had a voice. He was appearing on 'Late Night', on 'The Tonight Show', had some commercials out there, his voice of observational comedy, looking at the world around him, that voice was really starting to come into its own.
Life was not fair. If you wanted something you had to take it. Before someone else took it from you. Neatly dissected down to its essence, life was one long series of lily pad hoppings. The quick and the resourceful were able to adapt and survive; all others were simply crushed as a more nimble creature landed on the lily pad they had occupied for too long.
When I was writing Dune there was no room in my mind for concerns about the book's success or failure. I was concerned only with the writing. Six years of research had preceded the day I sat down to put the story together, and the interweaving of the many plot layers I had planned required a degree of concentration I had never before experienced.
I had never really written songs for anyone before. With [Broken] Social Scene, you're writing songs for others and your passing them around and exchanging things, but for a man who has the history that Andy Kim had, and has lived the life that he's had, you see such a youthful aspect of how he just wanted to create something again.
Initially, when I'd heard of 'Teen Wolf,' I had never actually sat down to watch the series. But during my audition process, before I had a clue that I would even be considered, I started watching the show to get a feel for it and to see what type of show it was.
The pen will never be able to move fast enough to write down every word discovered in the space of memory. Some things have been lost forever, other things will perhaps be remembered again, and still other things have been lost and found and lost again. There is no way to be sure of any this.
If I had had a thing like an iPad when I was a kid, then I never would have gotten into the habit of writing things down by hand.
Like my writing, my voice has been something I've worked at. I knew I had a good voice but it was a matter of time before it was what I've got now. I've had to build my vocal muscles up until they were like Arnold Schwarzenegger.
That's what I love about writing is you don't need anyone's permission to do it. You can just get up in the morning, grab a pad and pen and start writing.
During my New York run, I injured my voice badly. I was getting increasingly hoarse, and it finally gave up. The doctor said I had two choices. Either cancel things, or try my luck and perhaps never speak again. That's not much of a choice.
I haven't had trouble with writer's block. I think it's because my process involves writing very badly. My first drafts are filled with lurching, cliched writing, outright flailing around. Writing that doesn't have a good voice or any voice. But then there will be good moments.
I had a song called "Folsom Prison Blues" that was a hit just before "I Walk The Line." And the people in Texas heard about it at the state prison and got to writing me letters asking me to come down there. So I responded and then the warden called me and asked if I would come down and do a show for the prisoners in Texas.
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