A Quote by Paul McCartney
John could write a mean song. He had a lot of venom in him. Whereas I had a happy childhood.
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I was such a sullen, angry, sad kid. I'm sure there are writers who have had happy childhoods, but what are you going to write about? No ghosts, no fear. I'm very happy that I had an unhappy and uncomfortable childhood.
I went to public schools in Bangor, Maine, and had as normal a childhood as you could imagine someone could, living in an enormous red house and being the son of a millionaire best-selling writer. I mean, I actually had a strangely normal childhood despite all that.
I went into acting because I had to make a good living. I had a child now and I had to support him any way I could... I wasn't happy, but I wasn't unhappy. I was just doing what I had to do to survive.
The people at the record company had asked me if I could write a song about my life, my relationship with God, and where I'm from. Well, I can't write a song on purpose, my songs come in a moment of inspiration or desperation.
Being someone who had had a very difficult childhood, a very difficult adolescence - it had to do with not quite poverty, but close. It had to do with being brought up in a family where no one spoke English, no one could read or write English. It had to do with death and disease and lots of other things. I was a little prone to depression.
I don't know John Riggins. I mean, I've met him a few times, and I had dinner with him once.
People I looked up to a lot were, you know, Oprah because she had a rough childhood but overcame so many obstacles and broke barriers to become who she is. It was really eye opening to me: just because I had a rough childhood doesn't mean that I can't make something of myself.
I had a conversation with John Cena, and I told him, 'If only I could be a giant with abs,' and he said, 'Maybe you could be a giant with abs.' That kind of got me thinking that maybe John was onto something, because when it comes to obviously being successful and marketable, John is one of the smartest people I've been around.
But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.
I felt I had a very innocent childhood and I feel privileged by that. But as an adult, I know that there were people who didn't have that. There are a lot of teens who haven't had as easy a childhood as me, and having literature that explores these "darker" parts helps relieve the burden and stress they may be feeling. As a writer, there is often a temptation to draw back when we write for teens - to preserve their innocence. But the reality is, if someone has already had that innocence taken in their life, then not writing about it is just brushing it under the rug.
I could never write about the sort of people John Cheever or John Updike or even Margaret Atwood write about. I don't mean I couldn't write as well as they do, which of course I couldn't; they're great writers, and I'm no writer at all. But I couldn't even write badly about normal, neurotic people. I don't know that world from the inside. That's just not my orientation.
So often, we blame other people when, really, the problem is right down in here. I'm not happy. I don't know what's wrong. If I just had another job, I could be happy. If I just get married, I would be happy. Well if I just wasn't married, I would be happy. Well, if I just had some kids, I'll be happy. I'll be happy when these kids finally grow up and get out of here. If I had a bigger house, I would be happy. Well, I got a big house. Now if I just had a maid to clean, I'd be happy. Well, now if I just had a maid I could get along with better, I'd be happy.
I was one of those guys, you know, playing and singing, and there was no reason for me to write a song, because there were so many beautiful songs out. And Bob Dylan was always the ultimate songwriter, and nobody could ever write a song as good as him, and nobody ever has written a song as good as him.
I was pretty happy with how my career had gone, mainly because of the enormous freedom I've had to write what I've wanted to write. I had a very clear picture of who I was as a writer.
The great philosophers of the past who wrote so beautifully - Rousseau, John Stuart Mill - had to write beautifully because they had to sell their work to journals. They had to sell books to the general public because they could not hold positions in universities. Mill was an atheist, and, therefore, could not hold a position in a university.
In a way, I had a very good and normal childhood. I had loving and caring parents. But I had a lot of quirks or problems when I was growing up. I had phobias and obsessions.
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