A Quote by Paul McGann
Films are artifice. We're telling stories on film. At the same time, when it works, there is a real tough immediacy and spontaneity to it, and a punch.
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You hear the best stories from ordinary people. That sense of immediacy is more real to me than a lot of writerly, literary-type crafted stories. I want that immediacy when I read a novel.
Comedy, when it works, is light on its feet and has the illusion of complete spontaneity: as if there is no film, no camera. You are standing there experiencing it all in real time. This illusion, I believe, is why so many people think comedy is easy.
As a film enthusiast and a lover of stories, I have read biblical stories and I've seen biblical films with the same zeal as I have read and seen my own country's stories. Most of the time, the creator doesn't know where he gets his inspiration from.
I think that stories, and the telling of stories, are the foundations of human communication and understanding. If children all over the country are watching films, asking questions and telling their stories, then the world will eventually be a better place.
In Bollywood, you have to do one film at a time, and there are no mixed schedules. And doing four films at a time is out of the question. Telugu film industry works very differently. But the kind of films I'm getting here are better than what I've been offered in Bollywood.
I don't actually see that much difference between telling stories in journalism and telling them on film. The tools are very different, but the basic idea is the same.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film.
I'm a lover of film and storytelling. I believe that I was put on earth to tell stories, and I'm not interested in telling the same stories over and over and over again.
The real difficulty for smaller films, when they're made independently and it's time to go for a distributor, sometimes if it's a tough film and the people who financed it need their money back right away, it's much easier and lucrative to take a DVD deal.
[I have a] fondness for telling stories, like the Arab storytellers on the marketplace. ... I will never grow tired of [telling] stories [and] I make the mistake of thinking that everyone has the same enthusiasm!
If you scratch through the deceitful artifice of contemporary photography, you'll find the real artifice underneath.
When an acting teacher tells a student 'that wasn't honest work' or 'that didn't seem real,' what does this mean? In life, we are rarely 'truthful' or 'honest' or 'real'. And characters in plays are almost never 'truthful' or 'honest' or 'real'. What exactly do teachers even mean by these words? A more useful question is: What is the story the actor was telling in their work? An actor is always telling a story. We all are telling stories, all the time. Story: that is what it is all about.
Films are dreams. Many, many critics say to me that my films are not good because they are too unbelievable, but this is my style. I tell stories like they are dreams. This is my imagination. For me, it would be impossible to do a film that is so precise, that resembles real life.
As a film-maker, I enjoy telling stories, and every film has its own journey.
I never worked on different films at the same time. I made one by one. I never made two or three films together. This is impossible! I only have one head. It is impossible for me to think about two films at the same time. There are a lot of these legends about me, and I don't know why. I'm not a legendary man. But the people all the time say I make three films at the same time, and it's not true. Don't believe these kinds of things.
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