A Quote by Paul McGann
I admire artists who are ageing and still retaining their edge.
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The most effective tool I have to work with artists I admire is to point to other artists that I admire and show that I've worked with them many, many times. It's not because I have option deals; it's because they want to keep working with us.
The field of ageing research is full of characters. We have hucksters claiming that cures for ageing can be bought and sold; prophetic seers, their hands extended for money, warning that immortality is nigh; and would-be Nobelists working methodically in laboratories in search of a pill to slow ageing.
A well-designed 401(k) plan is an enormous competitive edge when recruiting and retaining employees.
I admire Hrithik Roshan for his work a lot. He has an edge over others because he is very hard on himself, he's never complacent, and he's still not happy with that. How much more perfect can you get than that?
With my friends in Brooklyn, many of them started out as artists. I saw many of these friends move into late middle age, still struggling without health insurance or a cushion. I saw people who had given up being artists. Being an artist necessitates a compromise or living on the edge.
I really admire artists who take the time to recharge their batteries and not continually call on it. I think you can spot tired and jaded artists quite quickly.
Ageing is, simply and clearly, the accumulation of damage in the body. That's all that ageing is.
I think ageing is challenging, surprising, fun, and full of friendship, so that is the approach I'll take, objecting to the stigmatization of ageing in so many modern societies.
I am passionate about finding undiscovered and talented artists. I want to help those artists get to the next level and provide existing artists with a new way to reach fans. I wanted to partner with the Cutting Edge Group because they share my vision and have a proven track record in innovation in the music business.
A lot of kids are moving to Baltimore, because we have a great music scene and we've got edge. Come on down, we've got scary edge. But great edge - it's still a city you can be a bohemian in.
I want men to admire me, but that's a trick you learn at school--a movement of the eyes, a tone of voice, a touch of the hand on the shoulder or the head. If they think you admire them, they will admire you because of your good taste, and when they admire you, you have an illusion for a moment that there's something to admire.
As for the cartoonists 'Oily' prints, they are just artists I admire. I am lucky to be friends with most of them so it was easy to contact them. Some have come to me but mainly they are just folks that I admire.
I'm still on the edge. It's just that I don't want to hurt the team by going over that edge. I've learned not to be as maniacal as I used to be.
High tech is for a short time. But art is forever. People still admire a Picasso or a Van Gogh. But they don't admire the steam locomotive anymore.
My favorite artists are able to take things to the edge or just over the edge. Miles Davis and Duane Allman, for example. It's about not playing too many notes. Those guys had lots of phases to their careers, but they always played with economy and intelligence.
I admire plenty of people, I admire Daniel Bryan, I admire CM Punk, I admire Antonio Cesaro, Wade Barrett, Sheamus; all the fellows that have been out and earned their spot on this roster.
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