A Quote by Paul McGinley
The TV and the public pay our wages and they like to see professional golfers mess it up. Missing a green with a chip shot - when do you see that? It's great to see exciting golf like we had last week.
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He knows all the golf lingo. You know? You hit your ball, he's like "there's a golf shot. That's a golf shot." Well of course it's a golf shot; I just hit a golf ball. You don't see Gretzky skating around going "there's a hockey shot, that's a hockey shot."
You have to learn to express differently. Whenever I do TV or film, I ask if I can see the shot to see, to see if it's full body or a close-up. That helps me understand how to communicate.
People don't like to see a sloppy fight, to see heavyweights wallow around. They like to see exciting fighters.
You see these terrorists that are flying planes into buildings, right? You see our cities getting shot up in California. You see Paris getting shot up. And then somebody complains when a terrorist gets waterboarded, which quite frankly is no different than what happens on college campuses and frat houses every day.
I don't like to see a president who is just out campaigning all year long or for the last four years. I'd like to see somebody who's going in the office. In fact, I'd like to not see them because that way you'd be sure that they'd be working.
Culturally intelligent innovation begins with changing our impulse from Why can't you see it like I do? to Help me see what I might be missing!
On a lot of shows that I've done, we had the same directors, which was cool. But then, it's also great to do shows where the director changes every week, because you get to see all these different personalities and see what you like dealing with better, as an actor.
It was the last time she’d see the river from that window. The last time of anything has the poignancy of death itself. This that I see now, she thought, to see no more this way. Oh, the last time how clearly you see everything; as though a magnifying light had been turned on it. And you grieve because you hadn’t held it tighter when you had it every day.
It used to be, on TV, you'd see only two types of Asians. You'd see the science geek who's using his mobile phone or something like that, or you'd see a very token Asian family - yuppie mother and father and two little Asian kids. It's the last barrier for Hollywood.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
The main thing that gives me hope is the media. We have radio, TV, magazines, and books, so we have the possibility of learning from societies that are remote from us, like Somalia. We turn on the TV and see what blew up in Iraq or we see conditions in Afghanistan.
On a lot of shows that I've done, we had the same directors, which was cool. But then, it's also great to do shows where the director changes every week because you get to see all these different personalities and see what you like dealing with better, as an actor. But, Jodie was amazing.
Most of the telly I do only has one camera and the reason you have to cook it twice is you have a close-up, so you see what is happening really close up and then you have a wide shot, which is like standing back so you see the whole fish and the kitchen and, like it or not, you have to do it twice.
You see a Donald Trump on TV, just like you'd see Joan Rivers on TV when she was living, and you see a real person. That's the Donald Trump that I know.
I don't really watch video, but I see the replay; like when I do strike out, and I'm walking back to the dugout, I look up and see if they do show the replay of me swinging and missing.
Let me speak for myself: I think I wanted to see people who looked like me on TV. I wanted to see people who had similar experiences as I had, growing up. There was nobody on television when I was a teenager who I could relate to.
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