A Quote by Paul Merton

I remember being fascinated by the very nature of comedy from the age of 10; why is this funny, and that isn't? — © Paul Merton
I remember being fascinated by the very nature of comedy from the age of 10; why is this funny, and that isn't?
When I was a little boy, I was fascinated by the way my dad used to laugh at the telly, and from a very early age, I had an idea of what was funny and why people laughed.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'
I can't watch other people doing comedy. As soon as somebody starts being funny I have to turn off because it upsets me. I get comedy indigestion. I just hate anybody else being funny. That's my job.
I always loved jokes. It's such a dumb, facile thing to say, but it's true. I remember being a kid and getting those joke books from the Scholastic Book Club and loving comedy from a very young age.
I remember reading in a comedy book very long ago when I first started, a person said there's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.
I can remember at the age of about six being fascinated by the planets and learning all about Mars and Venus and things.
I've always been very impatient. At age 10 I frankly found life boring, and I can remember age 9 having the awful thought, as it seems now looking back on it, A war! That should liven things up a bit!
One second here and there will make all the difference between something being funny and not being funny. That's why I like going, 'Well, we wrote that six months ago, and it was funny one time we read it, but it's not funny anymore. So what? Just dump it.'
I remember being taught to read at a very early age. Like creepy young. I remember being in the crib, reading. My parents were very impressed. My reading speed, comprehension and overall ability has remained at that level ever since.
Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.
I remember seeing 'Spinal Tap' at a young age and being like, 'That's how you perform comedy.'
I always dreamed of being an entertainer. So, my whole life to some extent, or from the age that I can remember onwards, I knew I was going to have to make some sort of attempt at being noticed for being funny.
Interestingly it's when you come to the comedy, that's where a lot of the discussion is. It's like ten people sitting around talking about what is funny. "Is that funny? Is that funnier than that? Is this slightly funnier than this?" I guess that's what it's like when you're making a comedy movie as well, you just have to sit around talking seriously about the nature of comedy.
I'd love to do a comedy. I'm terrified of comedy. I don't think I'm funny, but I guess that's why it's so thrilling.
For most of human history, we could only watch, like bystanders, the beautiful dance of Nature. But today, we are on the cusp of an epoch-making transition, from being passive observers of Nature to being active choreographers of Nature. The Age of Discovery in science is coming to a close, opening up an Age of Mastery.
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