A Quote by Paul Merton

The economics favour one-man comedy shows: all you need is one person, a microphone and a PA system. But I'm pleased so many people are making a living out of comedy - it's a wonderful business to be in.
I've stopped doing things that aren't clear comedy gigs - to do something that's not "comedy night," it's a difficult thing. People have to be given permission to laugh. You need to know it's comedy; otherwise you might just think I'm a man talking out loud.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
I did comedy shows and the only thing beating out my fights were my comedy shows. The entertainment I was providing was ridiculous. They had me doing absolutely everything and anything.
I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.
Usually, comedy shows only influence other comedy shows. 'M*A*S*H' is one of the few comedies that influenced dramatic shows as well.
I started out in comedy gigging and scraping a living together, and eventually worked up to doing shows at the Comedy Store in London in 1979. That led on to me presenting a show in the early days of Channel 4 called 'Whatever You Want,' which had live music and sketches.
I always feel like you don't do comedy for the special - you do the specials so you can do comedy. That's like a commercial for people to come out and support the new shows.
Because comedy is cheap to put on: if you've got a play or an opera, there's a whole load of people and a set, but comedy is just one man or woman. And because TV has learned to love comics - there's so many more around now than when I started out.
I think there's just too much comedy. Sometimes I get requests from people: 'How do I get into comedy?' And I always say that what we need is more people in health care. And less people in comedy.
Stand-up comedy is not a man's job. It's an alpha job: To be the only person in a room with a microphone who's allowed to talk.
I do love comedy, and when it's a comedy moment and you can make people laugh, of course it is wonderful.
If you're into comedy, you will know what the show is about. We have so many comedy geeks, comedy enthusiasts, fanatical people who go to comedy festivals and follow comedians, and really treat it like rock 'n' roll - which it can be, but more like the geeky rock 'n' roll.
I can wax boringly about the role of comedy in mitigating pain. For so many comedians, comedy comes out of personal despair. I'm not a very despairing person myself, but I do fear despair and the death of loved ones.
I was living in upstate New York, in Kingston - small town, no comedy scene except for my friends and I doing these DIY shows and whatnot. And we put together this thing called the 'Altercation Punk Rock Comedy Tour.'
What is comedy? Comedy is the art of making people laugh without making them puke.
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