A Quote by Paul Merton

When I turned about 12 or 13, I realised that being funny wasn't about remembering jokes. It was about creating them. — © Paul Merton
When I turned about 12 or 13, I realised that being funny wasn't about remembering jokes. It was about creating them.
There's always a source for humor [in politics]. If it's inappropriate to write about, if there's nothing funny about it, then it's not funny. So it sort of selects itself. It has to. And plus, often something that wouldn't be funny at the time is okay to make jokes about later.
I like to make jokes; I consider myself a funny person. I just think making jokes about people who are in a situation beyond their control is not funny to them or their families.
When I was about 12, I realised I wasn't going to make it as a top footballer, but I won my first British ABA title at 13. From then on, I wanted to be a world champion.
It feels amazing to just be here and be able to share my jokes with the world. It's not so much about being a girl, it's about being a funny comic.
The great thing about writing jokes for President Obama is that he is not afraid to tell jokes that are actually funny - and not just funny for a politician.
I remember being 12 or 13 and reading 'Seventeen' and 'CosmoGirl.' They were all about self-improvement.
I knew being a musician was my calling when I was 12 or 13. I started singing when I was six but didn't actually see myself being a singer when I was 12 or 13.
When I think about creating abundance, it's not about creating a life of luxury for everybody on this planet; it's about creating a life of possibility. It is about taking that which was scarce and making it abundant.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
When I was starting out, I was just bringing a garbage bag of jokes onstage, pulling them out like, 'What about this? No? Alright.' I was just trying to be funny about anything.
I think there are brilliant jokes to be made about abortion, and we should be able to talk about this in the way that we make jokes about death - you should be able to make jokes about everything.
Four months of preparation and about 12 hours of shooting turned into about 30 seconds of screen time.
When people have no interest in a subject, it's very hard to get them to laugh about it. If I had to write ten jokes about potholders, I don't think I could do it. But I could write ten jokes about Catholicism in the next twenty minutes.
I think creating the clothes is about creating historical images - and that's about more than fashion. It is about the fashion, the photography, what you are doing in the moment. It's what we call in French rechercher, or the search for that thing. So even though fashion is not scientific, I think being a designer is somewhat like being a scientist.
At 12, turned 13, made a movie with Sex Pistols and The Clash. Learned about a lot of things I never knew and hope will never know again. Don't know how my parents let me do that.
Probably the most difficult scene to film was the one where I'm attacked. I haven't thought about it in a while because, in hindsight, you make jokes about it and you get funny stories from it. When I was talking about it earlier today, I started to realize that it took a couple days probably to get over. Even if you can laugh about it, it's still the physical things that your body has to go through, it's pretty insane.
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