A Quote by Paul Merton

I read every book about Buster Keaton and Chaplin to see how they worked - it's all about dedication, tunnel vision, pursuit of perfection, getting the gag right. — © Paul Merton
I read every book about Buster Keaton and Chaplin to see how they worked - it's all about dedication, tunnel vision, pursuit of perfection, getting the gag right.
When I was a kid, I loved all the silent comedians - Buster Keaton, Laurel and Hardy, Chaplin. And I used to imitate them. I'd go to see a Buster Keaton movie and come home and try things out I'd seen. I learned to do pratfalls when I was very young.
I was a big fan of Buster Keaton and Charlie Chaplin.
I love Fatty Arbuckle and Buster Keaton, but not Charlie Chaplin.
I just want people to remember me like I remember Buster Keaton. When they talk about Buster Keaton or Gene Kelly, people say, 'Ah yes, they good.' Maybe one day, they remember Jackie Chan that way.
Everyone seems to have this awareness of Charlie Chaplin because he was a really good businessman while Buster Keaton wasn't.
I grew up on Harold Lloyd, Charles Chaplin, and Buster Keaton, and those were the ones who inspired me.
My parents loved comedies, so we saw Buster Keaton, Charlie Chaplin, the Ritz Brothers, and the Marx Brothers. I wanted to be one of them.
I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of course, but a very alluring dream for a young man from Canton.
I know of only six genuine comic geniuses in movie history; Charlie Chaplin, Buster Keaton, Groucho Marx & Harpo Marx, Peter Sellers, and W.C. Fields.
A certain type of critic doesn't really want French movies to be visual. They think movies started from books and they forgot this part of moviemaking, like Chaplin and Buster Keaton, which I didn't forget.
I grew up and I was weaned on the Marx Brothers. They were sort of my all-time favorite. My parents showed me their movies when I was very young. And as I got older, I became a Charlie Chaplin fan, and I love Buster Keaton.
I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.
There's something magical about film, it's the ultimate for me, because it's kind of permanent - inasmuch as anything is. When I went to see Buster Keaton when I was about 14 and I came out of the cinema having really laughed at this film which had been made 50 years before, I thought: That's immortality. It's fantastic.
It's about timing and rhythm. But who could be better than Chaplin or Keaton?
Although I had good hand-eye coordination, I was so tall and skinny and muscularly weak that I just was not well coordinated. But what I started to do quite early on was watch some of the great old silent comedians, like Laurel and Hardy and Chaplin, and then later on Harold Lloyd and Buster Keaton.
I loved Keaton. In fact, when I made the chase sequence in 'What's Up, Doc,' I said, 'This is a Buster Keaton chase.'
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