As commissioner, you have to have a great relationship with your players but also to the upper executives: you gotta make sure their mandates are all on target and in line.
All of the films I have made, that I have chosen to make, are all about the thin line between good and evil. And also the thin line that exists in each and every one of us. That's what my films are about.
In a great horror movie, you've gotta have some character development and you've gotta set some of your people up and you've gotta have a little back story going. You've gotta take that time for exposition.
I had no idea there was such a thin line between sanity and insanity. I got pushed right to the edge by tragedy in my life, and I couldn't stand up; I couldn't recover.
To be critically acclaimed, to get a Grammy, to be on MTV, you gotta talk about current events. You gotta talk about controversy, just stuff people want to hear. At the same time, you gotta get a message across.
Sometimes you gotta get stupid with yourself, and you gotta enjoy your own company some time.
One of my constant reminders was, "End practice on a happy note." I wanted the boys to want to come out to practice, and I wanted them to get a certain amount of pleasure out of basketball. It's a game. It should be fun. So I always tried to counterbalance any criticism in practice with a bit of praise. I wanted my players to feel that the worst punishment I could give them was to deny them the privilege of practicing. If they did not want to practice, I did not want them there.
You gotta grow, you gotta learn by your mistakes; You gotta die a little everyday just to try to stay awake; When you believe there's no mountain you can climb; And if you get it wrong you'll get it right next time, next time.
I've gotta breathe it, I've gotta eat it, I've gotta sleep it and until you get there you will never be successful in life. But once you get there I guarantee you, the world is yours. So work hard, and you can have whatever it is that you want.
There's this thin line between knowing something is going to be really hard and saying, 'Yeah, you know, but I still gotta see if I can pull it off.'
To me, I always felt like drums have to be the support and the driving factor in a song, and there's places where the drummer has to show off and do things and get the spotlight, but not all the time. You've gotta pick and choose. And it's always gotta be about the song. That's really the bottom line.
I don't mind talking about the game. I don't mind talking about what we go through as players, because I want people to get a deeper look inside instead of looking at stats all the time or looking at numbers or just watching the game. I want them to get a pulse on us as players, and a lot of players might not want that, but that's what I want.
Some players have no idea how to handle life without structure. That's why some players get into trouble during the offseason. This is literally the first time in our lives we've ever had free time without somebody telling us where to be and what to do.
There comes a point in the game where you gotta make a play or you gotta do something to get your team over the hump, and when that time comes you gotta be able to do it.
We gotta break these double-standards and get women to loosen up a bit. We gotta show them that we can do what we want to do how we want to do it. If someone doesn't like it, they can get to stepping.
To see the line between being good and bad is really thin. It's not easy for anyone, not the manager, the players or the staff.