A Quote by Paul Millsap
All great rebounders don't give up on a play. They treat every shot as a miss and they go out there.
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Even if I do miss a shot, I'm going to be comfortable to get back up there and shoot the same shot again. Make or miss, I'm not going to be frustrated but move on to the next play.
I'm never home. I miss birthdays. I miss holidays. I miss anniversaries. I miss special moments. I'm not always there for important times, because I'm out on the road trying to make people laugh. I give up my privacy. I give up the ability to walk somewhere and relax.
If you're playing a shot and your peripheral vision picks up a player moving as you play the shot, if your vision goes from the object ball to what they're doing, you can miss the shot by several inches.
Sometimes I screw up in the game, I miss a shot or I miss a rebound, and I fight myself. I am like, 'Why I miss that shot? Come on, what are you doing?' I am fighting myself.
So much of the game is mental, and that's one thing that I've always wanted to be good at. That if I miss a shot or make a bad play, to never let your opponent see that you are in duress or upset - that they've won in any way. So if I make a big game-time bucket or if I miss a shot, you'll see the same mannerisms. I move on to the next play.
I'm one of those pathetic actors who will say yes to every play reading just because I do miss the stage so much. What I really miss about the theater is that in the end, it's yours to give. In television and film, it's yours to do and someone else's to take and someone else's to give. As much as I love television - the biggest luxury of all is to know that you have a job to go to - I do miss that connection and having that power over my own performance on stage.
The biggest thing is you cannot be afraid to miss the game-winning shot. It's not that you want to make it; it's that you're not afraid to miss it. You're not afraid to make a play and it go wrong. You have to have amnesia. You're not afraid to make a play and it go wrong.
A new breed of ministers is rising up who will not wear out for the gospel. They are so caught up in passion, unity, and fullness that they run out and say, “World, here I come!” If they go into places where they get shot at, they are thrilled. If they do not get shot at, they are thrilled. If the place they go is filthy, they are thrilled. If it is clean, they are thrilled. Jesus is the joy set before them. He is their exceedingly great reward.
You stand up to that challenging shot, you put yourself into that shot, and you pour yourself into it confidently. Stand up and commit yourself completely. If you miss it, you miss it certainly. You've done everything you can.
I care about systematically playing basketball. If the spacing isn't right, if guys are standing on top of each other, if there aren't lanes to be provided, or rebounders available to offensively rebound the ball, or we don't have defensive balance when a shot goes up, all of these things are fundamental basketball. I follow it.
I'd like [Santa Claus] to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
I want to be one of the guys, but I also want to be 'the' guy, the guy that can go out there and they can rely on in crunch time. I'm going to be the guy that they know will show up every day, every game, every play and show up on a consistently great level.
Detroit has a history of a lot of great rebounders and big guys that have been great defenders. So for me to pick up where they left off and continue that trend, of being a gritty, tough big man is pretty cool.
The thing you miss most, when you don't play and you don't coach, is the huddle. You miss the huddle. You miss the ability to walk in the room where collectively players are from everywhere. Every race, every religion, every color. It don't matter, because you've got a common goal. You're trying to be something special as a team.
I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.
People sometimes say, "Isn't it boring, isn't it always the same? It's the same lines." I go, "Well, do you play tennis? Because that's the best analogy I can give." If you go out eight times and play tennis eight times this week, yeah it's the same rules but it's a different game every time you're out on that court.And that's the best analogy I can come up with the theater.
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