A Quote by Paul Mooney

You got to remember that slavery's very complex. It has a lot of levels to it. — © Paul Mooney
You got to remember that slavery's very complex. It has a lot of levels to it.
We have different levels of slavery. We've got educational slavery. All the major religions of the world, even Christianity and Islam, are engaged in some form of servitude of people. I don't look favorably on either one although I think properly practiced all religions are basically good.
There are as many strata at different levels of life as there are leaves in a book. When on the higher levels we can remember the lower levels, but when on the lower we cannot remember the higher.
We still have slavery of all kinds - slavery of thought, slavery of ideas, slavery of cultureand I think 'Roots' exemplifies, in a very strong way, man's need to think for himself, feel for himself, do for himself.
If you can't describe your strategy in twenty minutes, simply and in plain language, you haven't got a plan. 'But,' people may say, 'I've got a complex strategy. It can't be reduced to a page.' That's nonsense. That's not a complex strategy. It's a complex thought about the strategy.
As for slavery, there is no need for me to speak of its bad aspects. The only thing requiring explanation is the good side of slavery. I do not mean indirect slavery, the slavery of proletariat; I mean direct slavery, the slavery of the Blacks in Surinam, in Brazil, in the southern regions of North America. Direct slavery is as much the pivot upon which our present-day industrialism turns as are machinery, credit, etc. … Slavery is therefore an economic category of paramount importance.
I think Roald Dahl had the rarest combination of talking to kids about complex emotions, and he was able to show you that the world of kids was sophisticated, complex, and had a lot more darkness than adults ever want to remember.
World War II put feminism on hold for a long time; the men went away to fight, a lot of women in those years got jobs both in teaching and in factories - at all social levels - which they enjoyed very much. A lot of them were quite happy during the war.
I feel like math and writing are the same thing. You're putting together a lot of complex things to satisfy different requirements. It's got to be aesthetically pleasing; it's got to have subtext; it's got to convey information.
A lot of the time, unfortunately for women, there's not a lot of complex roles. I don't mean complex like tortured or whatever. I mean complex like there's more going on with them than, 'I'm a mom.'
I see nothing easy in Washington. I see either analytically simple things that are politically complex or those that are politically complex and analytically complex. I mean, look at immigration reform, you know? It is, I think, analytically easy, but politically very, very complex and very difficult.
A self that is very robust, that has many, many levels of organization, from simple to complex, and that functions as a sort of witness to what is going on in our organisms.
I remember the university as being very encouraging, especially to experimentation. I think you always get a lot of musicians in any art community, and it seemed like a lot of people I knew worked on films that got made locally.
I am naturally anti-slavery. If slavery is not wrong, nothing is wrong. I can not remember when I did not so think and feel.
We've got to stand up at some point and say, 'We are not gonna pay slavery reparations in the United States Congress.' That war's been fought. That was over a century ago. That debt was paid for in blood, and it was paid for in the blood of a lot of Yankees, especially. And there's no reparations for the blood that paid for the sin of slavery.
I remember, growing up as a kid, history class was very washed-over. They didn't really get into the gritty bits of slavery. It's a very, very small section in the history books. It's not something they really touch on directly with American curriculums.
One summer I remember, I got exposed to Chuck Berry and Buddy Holly and Buddy Holly was a very very big, made a very big impression on me. Because of a lot of things, you know, the way he looked and his charisma.
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