A Quote by Paul Mooney

What does it mean to be too black for Hollywood? It's self-explanatory. Hollywood has certain kinds of blacks that they like. — © Paul Mooney
What does it mean to be too black for Hollywood? It's self-explanatory. Hollywood has certain kinds of blacks that they like.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
I find Hollywood gives these pat stories, and they're reassuring stories, and I don't really want to give people that. Hollywood does all that work. I'm offering, sometimes, an alternative to that. The answers aren't black-and-white. There may not even be answers in certain instances. The ground is not necessarily solid, either. So you've got to keep awake the whole time, even after the movie is over.
I think Hollywood is incredibly segregated. I've never seen any place like it. The gatekeepers who are the most progressive activists inspired to make the world better... they're better people, right? They're segregated. It's self segregated in some cases, but there's nobody Black in charge of anything in Hollywood.
The whole ridiculousness of black Hollywood - there is no black Hollywood. It's every man for himself.
Hollywood does draw some very strange characters, and then the power of Hollywood and what they can do with it becomes like a blood sport to them.
It's great to be black in Hollywood. When a black actor does something, it seems new and different just by virtue of the fact that he's black.
We're all complaining about diversity in Hollywood, but we've got to address the colorism within the black community of Hollywood first.
Well, there's different shades of Hollywood, sure. I mean, I'm working in this business but I'm not Hollywood.
I mean, the men in Hollywood event is every day - it's called Hollywood.
I ask everyone - white Hollywood and black Hollywood - to get outside of your comfort zone and make friends. That's where they're going to learn from each other, and that's where they're going to make better movies and make Hollywood a better place.
[A]t the beginning of November 2001, there was a series of meetings between White House advisers and senior Hollywood executives with the aim of co-ordinating the war effort and establishing how Hollywood could help in the "war against terrorism" by getting the right ideological message across not only to Americans, but also to the Hollywood public around the globe the ultimate empirical proof that Hollywood does in fact function as an "ideological state apparatus.
I like to go to the movies at The Hollywood Forever Cemetery. They do this thing in The Hollywood Forever Cemetery in Hollywood where everybody sits out on the grass and they project movies and it's very romantic and very old-school Hollywood, so I love that.
I've sold 11 of my books to Hollywood. There are all kinds of my books on shelves in Hollywood because the scripts didn't capture the characters.
When you think about it there's never really been a realistic exposition of Hollywood, I mean - from the inside - showing Hollywood what it can do, what it has done, to people.
People always make these generalized statements about Hollywood, and there's all kinds of people in Hollywood.
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