A Quote by Paul Mooney

There are still plenty of movie people peddling black stereotypes. I guess Tyler Perry's probably the most massively successful. — © Paul Mooney
There are still plenty of movie people peddling black stereotypes. I guess Tyler Perry's probably the most massively successful.
My favorite Tyler Perry movie? Ugh, how can you decide? For me, it's basically like: Kurosawa, Tyler Perry, Martin Scorsese, in that order.
One of the scariest moments was being on Tyler Perry's first movie, 'Diary of a Mad Black Woman.'
I met Tyler Perry and we did 'House of Payne' and a movie. We've done a couple other films since then, but it all boils down to the work. I'm a work-a-holic, which is why I think that I've been successful. If you tell me no, I'll work even harder!
The only time my Dad ever said I might have not gotten something because of how I look was when I auditioned for Tyler Perry's 'Meet the Browns.' My dad didn't think I was 'black enough' for the show. My dad isn't the most politically correct person.
Every black film feels like it's Tyler Perry, and that just needs to stop. But people seem to slowly be looking for what else is out there - 'Is there something else besides this type of humor?' 'I'm tired of seeing men in dresses.'
If Adam Sandler does a bad movie, he doesn't bring down the whole white race. But if Tyler Perry does, it's like, 'See what you guys do?' and that type of thing.
I feel like part of my journey as a filmmaker is to tell different stories, whether they are just a black perspective on things that aren't necessarily hood movies, or Tyler Perry movies or Ava DuVernay movies. Love all those people, but that whole thing has been sowed up already.
I'm not a big fan of dealing with stereotypes because I think everybody's unique and I have met plenty of people who have bucked their stereotypes. But there are things that women are physiologically better suited to.
One day, my twin sister Sidra and I pranked Tyler Perry on the set of 'For Better or Worse.' I made her dress up as me and do a scene as if she were my character Angela. Tyler says, 'Action!' and my sister starts acting. It was horrible.
I did see one Tyler Perry movie in the theater. My friends and I went to see, I believe it was, 'Why Did I Get Married?'
We still have to create things for African American women. Just like Tyler Perry is doing it, we can't wait for things to happen; you have to go and make and create roles and go to people.
I identified with white culture, and I wanted to fit in. I didn't identify with black culture. Like, I didn't like Tyler Perry movies, and I wasn't into hip-hop music. I liked Neil Young.
Black art is not some kind of a magic wand: there still has to be a humble heart attached that's listening to it. And I know it's not a wand because plenty of fans love to turn on us as soon as they realize we are actual black people, with black concerns in our black lives.
I'm very familiar with Tyler Perry.
There's room for Spike Lee's movies; there's room for Tyler Perry's movies. There's room for classics with an all black cast. There's room for all of it as long as we don't try to make any one piece define us as a race.
Hometown Aerosmith fans are different from other Aerosmith fans, and that mainly has to do with Joe Perry. It's tough to overstate his strange grip on the local psyche. Tyler is a star who belongs to the whole world, but Perry, that dude belongs to Boston.
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